Doris Kearns Goodwin Quotes
Sometimes people will find things that are wrong. Sometimes they will even find an approach that you took wrong. If you think you took the right approach, then you just absorb the criticism, but you don't change your mind.
Quotes to Explore
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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So I went to English school, secondary English school, so forget going to Mecca for my religious education.
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New York is a field of tireless and antagonistic interests undoubtedly fascinating but horribly unreal. Everybody is looking at everybody else a foolish crowd walking on mirrors.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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As technology changes the way we communicate, connect, create, consume and innovate, it is democratizing access to opportunity. Education is no exception.
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I like being friends with other women who are supportive of women. I think that is important.
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I did some theater as a kid for fun. But it was really by chance that I landed into acting.
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Governments are not running the show anymore. Scumbag Entrepreneurs are, and they have a harsh and ruthless agenda.
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In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book.
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All our wives are experimental psychologists.
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I was a campaign widow.
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Stealing is stealing. I don't care if it's on the Internet or you're breaking into a warehouse somewhere - it's theft.
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Wherever I go for the military, they always call me Lt. Dan. They just can't help it.
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This very individualistic form of Protestant Christianity that became so basic in English and then American life is to a large degree responsible for the historical success of Britain and America.
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For me, it's all about smaller character-driven pieces, about finding a person that I connect with and that I'm interested in bringing to life.
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Usually the characters I play are men of few words, who communicate in non-verbal ways.
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I'm actually pretty shy in real life. But I guess in front of the camera, I focus.
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He is Mr Piano Man, I am Miss Piano Man.
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There is a man sleeping in the grass. And over him is gathering the greatest storm of all his days. Such lightening and thunder will come there has never been seen before, bringing death and destruction. People hurry home past him, to places safe from danger. And whether they do not see him there in the grass, or whether they fear to halt even a moment, but they do not wake him, they let him be.
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With a sequel you're always trying to get bigger and better.
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There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
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Before I go to bed at night, I ice my face, because it closes your pores and makes a difference in the morning.
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Sometimes people will find things that are wrong. Sometimes they will even find an approach that you took wrong. If you think you took the right approach, then you just absorb the criticism, but you don't change your mind.
