Doug Liman Quotes
In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.
Quotes to Explore
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Life is the art of drawing sufficient conclusions from insufficient premises.
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
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Decision – making is very scary for me.
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How do you play 'righteous'? Do you just kind of stand up straighter? What does that mean as an actor? You don't really play a quality.
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I don't wear a lot of color because I live in New York, and I'm sort of color-blind, so colors don't match to me a lot of the times, and it makes me anxious. So I'll always defer back to black.
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Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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The country has undergone a profound social upheaval, the greatest the proletariat has ever known.
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In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.
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In my next life, I want to be a housecat. Naps all the time!
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I dare anybody to look at me and say I'm anorexic. I'm so totally not.
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Feminism encourages women to leave their husbands, kill their children, practice witchcraft, destroy capitalism and become lesbians.
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Endurance in ministry is rooted in the eternal perspective. The absence of an eternal perspective makes you vulnerable to losing heart.
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I'm very happy to co-produce a film like 'Srimanthudu.'
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Sometimes you're watching a great film actor, and if you stand 10 feet away from them, you're like, 'God, they're terrible. They're not doing anything.' And then you see the close-up, and it's so nuanced, and so much expression is happening. They were acting for that camera and for no one else.
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To think is of itself to be useful; it is always and in all cases a striving toward God.
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I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
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The fruits of science and innovation have nourished our society and economy for years, but nations unable to navigate our regulatory system are often excluded, as are vulnerable individuals.
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Scientific men can hardly escape the charge of ignorance with regard to the precise effect of the impact of modern science upon the mode of living of the people and upon their civilisation.
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Storytelling wise, you've gotta take it as far as you can possibly take it with each individual movie. If you're holding out something for a sequel or some cliff-hanger, that's not how I think of a satisfying story.
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So one of the things that happened with integration in the South is they found that the black teachers were much more educated than the white teachers.
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In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.
