Douglas Coupland Quotes
Fame without the money to insulate you from it is one of the most wretched human conditions possible. (p. 80)
Quotes to Explore
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I'm awful with directions, and I'm not very handy around the house.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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I'm open to all the elements, I'm definitely ready to take anything on. But I don't want to jump too far into the deep end.
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I'm writing what comes into my head, or through me, or from somewhere else, and it is the most extraordinary, exciting thing. I love it, and I'm very greedy, and I really enjoy it!
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From the age of eighteen to twenty-one, I worked any job I could get my hands on. One of these jobs was selling fake paintings door-to-door.
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I hadn't focused on mechanics since I signed professionally.
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Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
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Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
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Anytime you get to work with an actor who is beyond you in experience and talent, I feel like they make you a better actor. You really bring up your game.
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I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
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I put so much of myself out there and make myself so accessible that sometimes I fear I make myself too accessible.
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Editing is a natural extension of the collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning.
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The two most common elements in the universe are hydrogen and stupidity.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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'Where is your million-dollar shirt?' I'm like, 'It's underneath these $25 Hanes T-shirts I've got on.'
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I actually like getting out of my comfort zone. It shakes me up.
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As a tennis player you can win and you can lose, and you have to be ready for both. I practised self-control as a kid. But as you get older they both - winning and losing - get easier.
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Everybody is a bit right.
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In China, I had my body lit on fire. And in Russia, I took a bath in reindeer blood, which apparently had some kind of youth-enhancing elements.
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I, Maggie, personally cannot tell you that you're going to save the planet. But what I do know is that we can draw a line to an issue that can conserve what we already have and what's left in a way that we can actually breathe the air, drink the water, actually grow things in soil - that matters in a real, practical way.
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I was horribly bookish, to the point of coming right out and saying it, which I knew was not socially acceptable.
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But simultaneously with the development of capitalist production the credit system also develops. The money-capital which the capitalist cannot as yet employ in his own business is employed by others, who pay him interest for its use.
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Fame without the money to insulate you from it is one of the most wretched human conditions possible. (p. 80)
