Douglas Horton Quotes
Quotes to Explore
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You set your goals to a point where they're attainable, but far enough away that you have to really go get them. And every year I push my goals a little bit farther away, and every year I work a little bit harder to get them.
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My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
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I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
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People often try to disguise televisions. I always think that makes it worse. It is what it is!
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Open-minded tech tinkerers may still prefer traditional PCs for work because they allow much more customization than, say, an iPad.
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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What makes Ireland inclined toward the drama is that it's a great country for conversation.
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I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
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One of the advantages of being disorderly is that one is constantly making exciting discoveries.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry.
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I started out in a professional choir at 13 years old. We traveled to different places, and I had a close relationship with the leaders of our choir. We were recording when I was 15, so it wasn't like I had to wait until 25 to find out certain things.
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People often ask me, was it hard to play this person or that person? Well, no, not really. Acting is what I do. It's my job.
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I do listen to Abba. And a lot of '80s and '90s pop music.
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I'm influenced by all types of music.
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I grew up playing in youth orchestras, so they were my most treasured memories, so to be in front of an orchestra playing my own material would be incredible.
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I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what appeals to me.
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The key to America's economic future is educating kids as early in their lives as we can.
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We need to just study what other countries have done. There are examples of a strong partnership between the defence establishment and the private industry.
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Patents have long served as a fundamental cog in the American machine, cherished in our national soul.
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I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too.
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The most important thing that I've figured out is that things work out the way they're supposed to. We try to have all this control and fashion things the way we want, but everything happens for a reason, and in the end it works out the way it's supposed to.
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So the history of discovery, particularly cosmic discovery, but discovery in general, scientific discovery, is one where at any given moment, there's a frontier. And there tends to be an urge for people, especially religious people, to assert that across that boundary, into the unknown, lies the handiwork of God. This shows up a lot.
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If food were free, why work?
