Douglas Slocombe Quotes
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As a rule, Michael Balcon was at great pains to ensure Ealing remained very British. There was no point our trying to be MGM, and we didn't see a lot of American stars.
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I had fallen in love with photography and was making a living doing photographic features for publications such as 'Picture Post,' 'Paris Match' and 'Life' magazine. But in 1939, I saw a huge headline, which I think was in the 'Sunday Express.' It said, 'Danzig - Danger Point of Europe.' I packed up my Leica, got on a train, and went.
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I found myself right in the middle of an absolute hotbed of Nazi intrigue. All the Jewish shops had 'Jude' daubed over the windows, and the Jews themselves were attacked.
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I've long been an admirer of Philip French's way of writing as well as his knowledge of films. He was one of the few critics to be aware, and make audiences aware, of the work of people on a film set other than the director.
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So long as you've got one good eye, the other one is just back-up.
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It's a weird feeling to have outlived virtually everyone you ever worked with.
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If you want to know what London looked like in 1947, with all the bomb-sites, 'Hue and Cry' will tell you. And when I shot 'The Lavender Hill Mob' four years later, it didn't look that different.
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I remember taking photographs as the local Gauleiter, Albert Forster, harangued huge crowds of Germans in the evenings with a big swastika flag in the background.