Dries van Noten Quotes
Quotes to Explore
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I didn't know much about golf growing up.
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'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.
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Bogart could have been color blind. He got to know a man before he decided if he liked him or not.
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I'll tell you why I like writing: it's just jumping into a pool. I get myself into a kind of trance. I engage the world, but it's also wonderful to just escape. I try to find the purities out of the confusion. It's pretty old-fashioned, but it's fun.
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I didn't start working out until college. But in college I could feel my body changing, and I knew that if I didn't make some changes, I was going to go in the wrong direction.
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I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
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Life isn't about quantity, it's about quality.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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There is no force so democratic as the force of an ideal.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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The brutalities of progress are called revolutions. When they are over we realize this: that the human race has been roughly handled, but that it has advanced.
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No policy that does not rest upon some philosophical public opinion can be permanently maintained.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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It is right that he too should have his little chronicle, his memories, his reason, and be able to recognize the good in the bad, the bad in the worst, and so grow gently old down all the unchanging days, and die one day like any other day, only shorter.
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I don't believe in the model of pure inspiration. All of my creative work stems from a dialogue with others.
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Why do two colors, put one next to the other, sing? Can one really explain this? no. Just as one can never learn how to paint.
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I want to play a psycho, something more challenging than just 'the girlfriend' part.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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I moved out when I was 17 to get away from a pretty tough and difficult family environment.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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I spent my childhood alone, overweight and ugly, angry at everything, and knowing nothing of a life beyond this sadness.
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That was in 1994, July, 1994, and I can remember that like it was yesterday too because it was the culmination of a childhood dream to finally be laying on the launch pad inside a space shuttle and getting ready to be launched into space. The impression of going into a space shuttle is that it looks like a brand new simulator. We spend so many hours inside a simulator that everything is very familiar. Every switch, the seats, the way things work, but the vehicle, the actual spacecraft looks brand new because it hasn't been used nearly as much as the simulators.
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My childhood was very, very, very, very traditional.
