Philip Glass Quotes
The generation of composers that are just preceded me, people like [Karlheinz] Stockhausen, [Pierre] Boulez, and, well, [John] Cage for that matter,[Morton] Feldman ... That was a kind of experimental music that was very isolated. It had no real public.
Quotes to Explore
-
I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.
-
The doors between the old man today and the child are still open, wide open. I can stroll through my grandmother's house and know exactly where the pictures are, the furniture was, how it looked, the voice, the smells. I can move from my bed at night today to my childhood in less than a second.
-
In general, I think the world is a good place if you work hard, believe in yourself, have good intentions, and if you are kind to people, I believe that good things happen to you.
-
I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
-
Christmas is, of course, the time to be home - in heart as well as body.
-
I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
-
I had done some TV movies that were great experiences but, no, I wasn't looking to do a series.
-
My hearing has suffered seriously; just now I am obliged to have the assistance of an ear trumpet. Think of that, my beauty! - There 's a state for your old Lover to be in! - No more tender whisperings! Imagine sweet confessions to be made through an ear trumpet!
-
I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
-
My work has always been the thing that justifies my life.
-
I have super-supercurly hair, and it's a constant struggle.
-
Look, there ought to be politics in politics.
-
I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa - the economic poverty, the corruption - there's a joy to living and a happiness in community, living together, in community life, which may be missing here in America.
-
When men are romantically interested in you, it's really simple. Just ignore everything they say and only pay attention to what they do.
-
We have to think about the future and what it is we want to accomplish from this party.
-
Politics and ethics belong to different worlds.
-
Unlike many Californians or New Yorkers, college football is a religion down south.
-
The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
-
Several years ago, I was asked by a songwriter's association to go to Nashville - I think it involved some kind of award - and be part of the showcase. It was myself and Stevie Winwood and Michael McDonald and then some country people that I didn't know. The whole community was just so welcoming to me.
-
People like to cherry-pick the parts of their career that they're either in the midst of or that they're the most proud of, but the truth is careers and lives are tapestries.
-
The note of the perfect personality is not rebellion, but peace.
-
A friend of mine described it this way: When they were born it was like a meteor landed in our house and blew everything apart. We had to just put all the pieces back.
-
The generation of composers that are just preceded me, people like [Karlheinz] Stockhausen, [Pierre] Boulez, and, well, [John] Cage for that matter,[Morton] Feldman ... That was a kind of experimental music that was very isolated. It had no real public.
