Jacqueline de Ribes Quotes
Quotes to Explore
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I didn't know much about golf growing up.
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'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.
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I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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People often ask me whether I believe in God. I haven't seen God. But I think that one's beliefs are one's God - and, in those terms, yes, God is there.
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I want to give a child a life who wouldn't be given a life. I want a child that nobody else wants.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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No policy that does not rest upon some philosophical public opinion can be permanently maintained.
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Of course it's fantastic to have bands formed in garages, but there is a market for other types of music.
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I don't believe in the model of pure inspiration. All of my creative work stems from a dialogue with others.
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My husband believes that he can make a difference. He loves people.
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Like funny men, skilled diners are apparently perceived to have an evolutionary advantage.
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I want to play a psycho, something more challenging than just 'the girlfriend' part.
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When you watch 'Ray Donovan,' you think that it's about Hollywood, about scandal, about stars, and about trying to keep secrets. That's true, but that's also just the means by which you reveal secrets of the people suffering every day life.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.
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I like new challenges and new experiences.
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History, we know, is apt to repeat itself, and to foist very old incidents upon us with only a slight change of costume.
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I think people have a vague sense that the television system is changing.
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We know that families and kids are going to be an important part of our audience, so we've always made sure that we've picked subject matter that was appropriate for kids. But I think if you try to target a movie to kids, you're going to fail.
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I went to Jamaica for six months, and in Jamaica there was a lot of stillness.
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Sometimes I think being an actor is like being a dog for a director; it's like they throw a stick, and you want to fetch it and bring it back to them. You want a pat on the head for it.
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My childhood lacked affection and ambience.
