Jacques Villeneuve Quotes
Both Indy Car and Formula 1 work in the same way, although there is a greater emphasis on development and technology in Formula 1.
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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You've achieved success in your field when you don't know whether what you're doing is work or play.
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Ikea people do not drive flashy cars or stay at luxury hotels.
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There's precedent for adjudicatory proceedings on technology issues to have massive consumer and business benefits. One of the most famous was the so-called Carterfone decision in 1968.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
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I want to work with producers who are unique and have a different sound.
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It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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Stay humble. Always answer your phone - no matter who else is in the car.
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If you are playing someone living, it is a different type of judgment. However much work you do, it is not a documentary. There will be things you can't get right, and ultimately, you have to take a leap because - you weren't there.
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All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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Whenever a new technology is introduced into society, there must be a counterbalancing human response - that is, high touch - or the technology is rejected... We must learn to balance the material wonders of technology with the spiritual demands of our human nature.
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Taken as a whole, consumer technologies have made startling advances, but they still are not as easy to use as they should be.
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Cancer is something that touches everyone's lives.
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I have always said that, more than 'big bang' reforms, it is every day what is happening, changing on the ground.
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Both Indy Car and Formula 1 work in the same way, although there is a greater emphasis on development and technology in Formula 1.
