Philip K. Dick Quotes
Quotes to Explore
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It's important for women to work. They need to keep their independence, to keep earning and being challenged.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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The musket could not be aimed except in a general direction; a bow in the hands of a skilled archer could regularly hit and kill an enemy completely beyond musket range.
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I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.
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Maybe it's a little depressing to think that my vision of a perfect world is actually so messed up, but I think it means that I don't really understand what 'perfect' is.
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Art class was my thing, but not any other class.
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The person who grieves suffers his passion to grow upon him; he indulges it, he loves it; but this never happens in the case of actual pain, which no man ever willingly endured for any considerable time.
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The strength of British theatre should be that these actors in their middle years know what they're doing and are good at it. Not rich, not famous, but making a living.
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The level of dynamism is a matter of how fertile the country is in coming up with innovative ideas having prospects of profitability, how adept it is at identifying and nourishing the ideas with the best prospects, and how prepared it is in evaluating and trying out the new products and methods that are launched onto the market.
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The very quick and high sales of the book caught us off guard, but fortunately we got the second edition from the printers at the end of last week and the shops should now be stocked again.
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It's what every writer needs: a daybed.
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We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.
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It seems the most common thing for serial interventionists to do these days is to lob the term 'isolationist' at anyone who does not agree with their latest folly, and then set up a straw man about those people not wanting to be involved in the world.
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Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
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I definitely relate so much to a lot of women in comedy, but I don't love segregating the genders. I'm just as influenced by male comedians as I am female comedians.
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I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
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There is no female Mozart because there is no female Jack the Ripper.
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Everything I do, I'm sort of half in, half out.
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When I left the Royal College, I decided I would only make paintings that I would want to look at myself, that felt close to my life.
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You can't make a good movie with a bad script, no matter who's involved.
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But I don't want to die! I have so much to do!
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Paradoxically, we have become so ethnocentric in our relativism that we feel it is only okay for others - not us - to think their religion is superior!
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In some ways, I value specificity. I think that there's power in, once you know who your fan base is, being able to speak to them. I hope to cultivate a fan base of black girls and black people and people of color, women of color, queer people, people who are are marginalized in general.
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Perhaps if you know you are insane then you are not insane.
