James Callis Quotes
Quotes to Explore
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People don't just want a mindless flick with a superstar; they want to connect more deeply.
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Comedy, we may say, is society protecting itself - with a smile.
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Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years.
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Control what you can control. Don't lose sleep worrying about things that you don't have control over because, at the end of the day, you still won't have any control over them.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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Reverence is fatal to literature.
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We need to see a Palestinian state.
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We don't want to be treated any differently, and we want to continue with our lives and our careers.
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I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.
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Five sets is a kind of lottery. Anything can happen.
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I always put my fantasies in the realm of goals.
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There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
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There's an energy in an urban core that you just don't get anywhere else.
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I'm very realistic. I know my boundaries - I know what I'm good at and what I'm not good at.
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I remember having an argument with Alan, I said the Queen's not just going to call the guy up and send him out to do it. And Alan says, well, how would a monarch give orders to her assassin.
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I think that that's so true for a lot of first responder families and military families. If you ask them, 'Is there anything I can do for you?', they almost always will not ask for that help.
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I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
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So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.
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I've been a medical and public health professional as well as a mother. I became skilled at juggling a number of priorities and competing interests. Like many other female leaders, I've tried to serve as a role model for the young women at my organization who are trying to balance a high-level leadership position and a family.
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As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.
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I'm always looking for a low-budget script with an interesting character to play.
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You get hit over the knuckles enough, you don't stick them out anymore.
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The "18/40/60" rule to happiness: At age 18, people care very much about what others think of them. By age 40, they learn not to worry what others think. By age 60, they figure out that no one was thinking about them in the first place.
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You can go lots of places as Gaius Baltar that other people aren't allowed to pursue.
