James Fenton Quotes
Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
Quotes to Explore
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The eulogy virtues are the ones that are talked about at your funeral - whether you were kind, brave, honest or faithful. Were you capable of deep love? I want to foster eulogy virtues when I'm in a yoga class or meditation session or any spiritual gathering. Especially if I'm lying in corpse pose. It just makes sense.
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I seriously object to seeing on the screen what belongs in the bedroom.
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With film, I have to be a team player; it's a whole different thing. I can't just be a one-man show. I have to learn how to use people to the best of their ability and motivate them to be as passionate about the project as I am.
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There's a side of fashion that's very analytical and data-oriented and methodical, but there's also a side of it that's just like magic. You can't quite put your finger on it, and you can't quite describe or prescribe a formula for how to get that magic exactly, but when you feel it and when you see it,you know that's what it is. It's magic.
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The last thing you want to do when you are about to film a scene is think, 'Oh my God, so many people are going to watch this.'
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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To be a great actor, you really don't need to go to acting school or learn dance classes or work on your body. You have to be intelligent. You have to draw on a lot of emotions that you go through in life that you can tap into once you work on a set.
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TV is still the place to grab the most eyeballs.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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I can't imagine being mayor and not having had the experience working for President Clinton or President Obama, or, for that matter, working in Congress. On the other hand, I think I would have been a better adviser had I been mayor first. If I had had this job first, I could have seen the implications of things I was doing.
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I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.
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I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.
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It's true: a lot of sportspeople really struggle to find something to do when they finish. It tips them into all sorts of strange things. With ex-footballers, it's really scary. I think 70% of them get divorced within five years. It's hard. You go from being really famous to not that famous. Your salary drops through the floor.
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High IQ individuals don't like surprises and are pessimistic, because it's logical.
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In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
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We need to focus on building up our own nation and creating jobs here at home.
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I like visualizing a lot, so the night before a competition and right before, I will visualize myself. I'll close my eyes, turn away from everybody, and just see myself doing exactly what I want to accomplish.
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Nothing reinforces a professional relationship more than enjoying success with someone.
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I like to hit the gym early in the morning. I feel better throughout the day when I get in a workout first thing in the morning.
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As an artist, all I need is my paints and brushes - and someone to drag me away when the canvas is done
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I think if you've held onto a character for several years and then you're getting rid of that character, it's going to be traumatic.
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I haven't written a word - except for some correspondence - since last September 8, when I finished my translation of Ibsen's Ghosts.
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Calling people 'sweetheart' makes most people enraged.
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Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
