James Fenton Quotes
The term 'epitaph' itself means 'something to be spoken at a burial or engraved upon a tomb.' When an epitaph is a poem written for a tomb, and appears in a book, we are aware that we are not reading it in its proper form: we are reading a reproduction. The original of the epitaph is the tomb itself, with its words cut into the stone.
Quotes to Explore
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I love to cook. I could never give that up.
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Focus on the long term, and always do what's right to grow the company and not make short-term decisions. And outlast everyone one.
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We don't expect every operator to be Christian, but we tell them we do expect them to operate on Christian principles.
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I don't want people to know what I'm actually like. It's not good for an actor.
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Take those chances and you can achieve greatness, whereas if you go conservative, you'll never know. I truly believe what doesn't kill you makes you stronger. Even if you fail, learning and moving on is sometimes the best thing.
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Control of a company does not carry with it the ability to control the price of its stock.
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All great rebellions are born of private acts of civil disobedience that inspire rebel bands to plot together.
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If the next thing I do is not necessarily filling the role of 'the future of journalism,' it'll probably be whatever is making me happiest, and that's enough for me.
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I'm called a terrorist in the Arab media still today.
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My first inspiration for acting came from the first episode of 'Hannah Montana.' That's when I knew I wanted to be a singer and an actress.
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When James Bond gets old, you get rid of him and bring a new James Bond in.
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My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.
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I would like to have the original ending to my Lord of the Rings instead of the one they released. In my original cut I had the victory at Helm's Deep as the final sequence.
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If it seems like you're doing work when you're acting, then you're doing something wrong.
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A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.
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We play rock & roll, but we swing when we play. We want that ongoing flow, that lightness, that forward rush of jazz.
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Running for me is a sport. It's not a joke. It's serious.
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I've always felt that to deliver a song successfully, you have to be an actress. A good actress becomes the part, just as a good singer becomes the song.
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When I decided to work with Krishna Vamsi, people around me were apprehensive about my decision. They warned me that I shouldn't work with an unsuccessful director.
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For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical background and the gestures of certain periods.
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The last paragraph, in which you tell what the story is about, is almost always best left out.
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As a Jew reading about Jesus, I thought, 'He's a pretty good guy.' It's the same conclusion Monty Python drew in 'Life of Brian' - if people actually live what he did, it would be a pretty good world. But Jesus and Christianity have a tenuous relationship at best.
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Constant rotation, based on a 19th century Army model, prevents spouses from putting down roots and gaining meaningful deployment.
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The term 'epitaph' itself means 'something to be spoken at a burial or engraved upon a tomb.' When an epitaph is a poem written for a tomb, and appears in a book, we are aware that we are not reading it in its proper form: we are reading a reproduction. The original of the epitaph is the tomb itself, with its words cut into the stone.
