Gabriela Sabatini Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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The sad thing is that apparently if you want to become the next Premier or the leader, suddenly you've got to shut down your human side.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
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All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
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I don't want to be a grown-up anymore; it's hard!
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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I was a Labour Party man but I found myself to the left of the Labour party in Nelson, militant as that was. I came to London and in a few months I was a Trotskyist.
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Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
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I want to do everything in the world that can be done.
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If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
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I want to be in 'Glee', but I'm told I'm not famous enough to be a cameo yet.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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By 17, I was modeling and had bought myself a flat. I've always tried to be self-sufficient.
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I just need to focus on myself. I think nobody should focus on others, whether they actually have a problem with Chinese swimming or not.
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One of the outstanding achievements of the new constructional technique has been the abolition of the separating function of the wall.
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I don't wear cologne. I do occasionally, but anytime I take a shower, I just put on deodorant. That's basically what I smell like.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
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I want not, that everybody hears about. Then I can't longer be myself.
