Philippe Halsman Quotes
A good portrait is incredibly hard to create, there is too much temptation to pander to the individual rather than portray them as they really were.
Quotes to Explore
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Greed is the lack of confidence of one's own ability to create.
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Every story I create, creates me. I write to create myself.
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Traditionalists often study what is taught, not what there is to create.
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Segregation, in a sense, helped create and maintain black solidarity.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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You know, if one paints someone's portrait, one should not know him if possible.
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You have to create something from nothing.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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We're not going to create a more equal society by not prodding at it, are we?
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My pleasure was to copy, not to create.
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The portrait I do best is of the person I know best.
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I'm related to the portrait painter George Romney.
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All these big corporations like Amazon, those places have great distribution arms, but they can't create content.
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You have to be very careful with the art you create and you put out.
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What happens in improv is you create your own storyline.
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New England is demanding newer, cleaner, and more innovative energy sources - energy sources that create jobs here in New England. We should also demand newer, cleaner, and more innovative transmission methods.
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We must create a state that responds to the citizens' needs, and we need citizens who feel committed to their state because that state serves the citizens.
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But when I was a little kid, I was always writing stories and illustrating little books that I would create.
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It all depends what you mean by.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.
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The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.
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Those only deserve a monument who do not need one; that is, who have raised themselves a monument in the minds and memories of men.
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Her questions about whether Palmer would have raped her if she hadn’t been taking a forbidden bath on the job, if she’d remembered to lock the bathroom door, if she had tried to fight despite his knife—all her secret worry that it was these mistakes, her mistakes, that had caused her rape—were revealed to her as utter and total bullshit. If she’d been strutting down the street buck-naked, he didn’t have a right to touch her. No. If that woman across the street told her husband he was the worst fuck in history and gave him dog food for dinner, he didn’t have a right to hit her. No. Just because women were blamed for everything but good luck didn’t give nobody a right to do them wrong. And it didn’t mean they were supposed to take it when they were done wrong. All this woman-hurting shit had to stop. “Stop!”
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A good portrait is incredibly hard to create, there is too much temptation to pander to the individual rather than portray them as they really were.
