Phoebe Cary Quotes
One sweetly solemn thought, comes to me o'er and o'er; I am nearer home today, than I ever have been before.
Quotes to Explore
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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When I come home from a shoot, I'd rather reheat food I've made than eat takeout.
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One of the reasons we all still read Jane Austen is because her books are about universal things which still matter today - love, money, family. They haven't gone out of fashion, so it's not throwing the baby out with the bathwater to rework her in a contemporary style.
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White Americans today don't know what in the world to do because when they put us behind them, that's where they made their mistake... they put us behind them, and we watched every move they made.
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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Unlike most youngsters who have school as their 'second home' where they meet and make friends, for me playtime has been at the Gopichand Badminton Academy in Hyderabad. When I am not playing a tournament, my days are spent at the Academy with my coaches, physiotherapists and colleagues, who are like family. We laugh and have so much fun.
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I'd never put all my chips anywhere, because I don't want to close any doors, but I was raised in a very blue-collar family. I was raised by parents who said, 'If you don't go to work every day, you're not contributing', so that's my mentality. I have to work every day; I have to bring home a paycheck.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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Most of the music you hear on the radio today is developed for making money. It doesn't feel true or honest. You can feel it in the music.
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When people are away from home, they do things they might not normally do.
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We all live in the moment, and we often mistakenly believe that what is true today was true always. Not so in politics, and especially in Congressional elections.
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Don't you stay at home of evenings? Don't you love a cushioned seat in a corner, by the fireside, with your slippers on your feet?
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When I joined Custer I donned the uniform of a soldier. It was a bit awkward at first but I soon got to be perfectly at home in men's clothes.
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There has been a huge advance in technology, which has improved the safety of the cars incredibly, but there are still some heavy crash impacts and in certain circumstances there is still the chance of fire today.
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Like most women, I have days where I feel like today I'm not leaving the house - you know days where you've got a spot on your nose or when you've just got off a flight, eaten fish and chips and feel really bloated - that one happens a lot to me.
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I am a total workaholic. If I don't shoot for two days, I get uncomfortable at home. I won't comment on my personal life. That is totally out of bounds. When I do get married, everyone will know.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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Most of the photographs I make are personal pictures and never end up in print. Even the magazines I shoot for on assignment publish very few of the actual selects. Sometimes these personal pictures will end up in a book of my work. Oftentimes, however, they are simply photographs which I hope resonate, yet rarely find a publication home. I do a lot of personal work in Rio de Janeiro, and this of a parkour artist making a jump on Ipanema Beach is such a moment.
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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I think at its most mature, love is a very bourgeois state. There is something about luxuriating in the nest of love that people fall into naturally.
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I didn't die young. So I am very lucky. There are other artists and people that didn't survive certain things... people can imagine that I did the most dangerous, and I did the worst... for many reasons, I shouldn't be here.
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One sweetly solemn thought, comes to me o'er and o'er; I am nearer home today, than I ever have been before.
