Phoebe Robinson Quotes
Quotes to Explore
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Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
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Age for me is just a number.
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It's a vanity to think that a legitimate shamanistic experience can be purchased.
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My songs have a lot going on in them -they're packed with sounds. When I have only three or four minutes to capture something, I guess I can't stand the idea of any bar going unloved.
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We have a relationship with Syria, an old relationship. We also have good relations with the people of Syria, with all segments of the population. This is the situation as well in Iraq and other countries.
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Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.
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I hope to make movies that are so small they don't need to make anything to be profitable.
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When I'm making music, I can hear all the parts, all the instruments. I can hear what it should be.
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One definition of noir is where a not-so-good man or woman tries to touch something good - and fails.
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A true friend encourages us, comforts us, supports us like a big easy chair, offering us a safe refuge from the world.
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I think Hillary Clinton is a good and effective secretary of state.
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I had a good guitar, and I was a young, young kid.
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He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later.
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I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
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When I first started in film, I was terrified of the camera.
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I didn't want to be an author; I wanted to be a scientist. Not that I didn't love literature, but I couldn't distinguish it from reading, and reading was already my default activity, almost like breathing.
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China - if you think about what is the character of China, it's enormous scale. It's bigness.
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Growing up, I had a terrible pudding-bowl haircut. I used to cut it myself, and I'd sew my own clothing, too. I looked a little strange compared to the other kids. But the thing was, I felt I looked amazing, so what other people thought never bothered me.
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I think the most important thing for a listener is to realize that he, too, should not listen to music in a passive way; that if you sit in a concert hall and expect to be moved or taken off your seat by the music, it will not happen.
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We have suffered from the preaching of cheap grace. Grace is free, but it is not cheap. People will take anything that is free, but they are not interested in discipleship. They will take Christ as Savior but not as Lord.
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You can wear yourself out by saying yes to things you don't want to do, and nobody really minds if you say no. I enjoy my own company. I'm never at a loss for things to do.
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When I work on a film, I always tend to relate to the crew.
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Flashback episodes are a tried-and-true sitcom device, but they always work!
