Phyllida Lloyd Quotes
I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.
Quotes to Explore
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With network, shows are pulled half the time after three episodes whether they're good or they're not good. It's a numbers game. With cable, they can take a lot more liberties.
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It is nothing to die. It is frightful not to live.
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You need to take care of your time and practice, you need to rest and talk to media. So it's really important to organize those things.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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There is a huge reservoir of support for abortion rights from ordinary women. I hear all the time from women who had abortions and say it made possible the good life they went on to have. Social shaming silences too many.
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Whether you breach the Fourth Amendment 20 percent of the time or 100 percent of the time, it's still not the point. The point is whether or not you still collect millions of people's information with a single warrant.
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I've got plenty of quirks. I go to an office early in the morning. Early in the morning is really good writing time. I take anywhere between six to eight showers a day. I'm not exaggerating. I'm not a germaphobe: it's all about a fresh start.
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The best revenge is to live on and prove yourself.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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Doing films in Latin America is like an act of faith. I mean, you really have to believe in what you're doing because if not, you feel like it's a waste of time because you might as well be doing something that at least pays you the rent.
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I'm happier on the runway than I am on the red carpet. Because then I am not being myself. I think, on the red carpet, it's a weird, like, 'Who am I? Am I me? Am I them?'
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From the sons of Ith, the first of the Gael to get his death in Ireland, there came in the after time Fathadh Canaan, that got the sway over the whole world from the rising to the setting sun, and that took hostages of the streams and the birds and the languages.
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The car provided Americans with an enviable standard of living. You could not get a steady job with high wages and health and retirement benefits working on the General Livestock Corporation assembly line putting udders on cows.
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Only people have been through that miserable time will recall the pass from their deep memory.
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I've done loads of things people have never seen - dramas on BBC4 and plays upstairs at the Royal Court and the Bush - and because I didn't go to drama school, they gave me an education.
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The best job goes to the person who can get it done without passing the buck or coming back with excuses.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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Instead of waiting until the holiday season - when mail solicitations flood in from worthy organizations - and making a flurry of gifts because this is the time of year to give, sit down and take stock. Identify your passion, learn about it, and direct your time, mind, and dollars to aligned causes and organizations.
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I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
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Being an old maid is like death by drowning, a really delightful sensation after you cease to struggle.
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I am a fashion designer, so I guess that makes me an overpacker.
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Sure, there's a chunk of African-Americans out there who associate the Republican Party with racism, frankly particularly in the Deep South. It's an unfair perception, but it exists. Over a period time, that perception will die away if Republicans are focusing on issues that happen to impact African-Americans.
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People know that they're going to see something which is entertaining but challenging as well because of the form it's in. It's dance theatre and it requires you to use your imagination - it's not straight forward.
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I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.
