J. G. Ballard Quotes
After the commonplaces of everyday life, with their muffled dramas, all my organic expertise for dealing with physical injury had long been blunted or forgotten. The crash was the only real experience I had been through for years.
Quotes to Explore
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I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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So the darkness shall be the light, and the stillness the dancing.
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Sometimes your parents are the ones with the biggest mouths of all time.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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People always say 'humbling,' but I actually think it's quite inflating being nominated for an award. It's wonderful; it's a great feeling.
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Do I favor the death penalty? Theoretically, I do, but when you realize that there's a 4 percent error rate, you end up putting guilty people to death.
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Our goal is to build this up as a knowledge base that anyone can look at. We're not just interested in people answering their friends' one-off questions.
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I decided in my late teens that I wanted to be an actor, and my dad and I agreed that films were better. I work alongside my dad, you see. I've thought that films were better since I was a kid.
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I don't want to set the world up for surprises.
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You know how you put peanut butter on a piece of bread and the bread falls - it never falls on the bread side down, it always falls peanut butter side down. That's because of gravity.
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Jesus' own witness of sacrificial love and forgiveness, and his work to heal the sick and care for those in need, represent God's ways and vision for us.
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Science fiction writers have usually been very poor prognosticators of the future, either in literary or technological terms, and that's because we're all too human and, I think, have the tendency to see what we want to or, in the case of those more paranoid, what we fear.
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I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
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Take chances, find your voice in fashion, and find what you like, and find what makes you feel good, and do that.
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A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage.
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Fuseproject was founded in 1999, and the notion behind it, which is alive and kicking today, is fusing different disciplines. Our teams are absolutely incredible at their own discipline, but most importantly, they're incredible at partnering with each other.
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Say there are three identical-looking pizza joints on a street. Two of those will always be empty. The third will have a line of people patiently waiting, checking their phones. There's always one place that's the place. That's how it works.
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Georgia has some really tough allergies.
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If it doesn't know what to charge you for nosebleed seats, your team sucks.
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The painter's portrait and the physicist's explanation are both rooted in reality, but they have been changed by the painter or the physicist into something more subtly imagined than the photographic appearance of things.
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Weapons of mass destruction violate more than individual lives - they cross international borders and jeopardize all people. They also drain resources that could be used instead for medicines, schools and other life-saving supplies. We must come together with even greater determination to prevent a WMD nightmare.
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One of my earliest memories is being backstage at Bran Nue Dae in Darwin when I was about eight. Its such a fun, happy show and a real celebration of being Aboriginal... it felt really great and achievable as a career. It all felt normal.
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After the commonplaces of everyday life, with their muffled dramas, all my organic expertise for dealing with physical injury had long been blunted or forgotten. The crash was the only real experience I had been through for years.
