Nawazuddin Siddiqui Quotes
Quotes to Explore
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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No 17-year-old is just one thing, especially in this day and age. Kids are into all sorts of things.
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A lot of companies make diversity a part of the performance goals against which an executive gets paid. Just as you have to make a certain sales number, you have to make a diversity number to get your bonus.
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I'm a total people pleaser.
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The more I talk about things, the more I understand myself.
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My mother worked in factories, worked as a domestic, worked in a restaurant, always had a second job.
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Like parents, cooks shouldn't have favourites, but some recipes inevitably shine more than others.
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We don't grow older, we grow riper.
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My problem was my inability to spend much time at home. I thought my family was secure, so I went running around everyplace else. I guess I had more of an effect on other people's kids than I did my own.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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I would love to work with Matt Damon.
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The first job I got was this TV job in this show called 'The Unusuals.' Then I did a play called 'Slipping,' and at the same time I was rehearsing another play at Playwrights Horizons, and that kind of snowballed into a bunch of plays.
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I wouldn't do a film like 'The Dirty Picture.' I have a husband and kids, and I won't be able to do justice to such a role. You need a certain mentality and ease to carry such a character.
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Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
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I would have been completely brainwashed by this lopsided and racist view of the world if it weren't for my father. He was a deep thinker and an irrepressible problem solver. He was a Black Socrates, asking why and then spoiling ready-made replies.
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Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published.
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When you go from one place to another, you go with experience, you don't go with prescriptions.
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A woman's health is her capital.
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As an actor, you're tied to the writing. You live and die by what's written for you. And you can elevate that to a certain extent, but really, that's your blueprint.
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I've always been interested in how fast-moving our identity is and that I've never been able to pin down who I truly am. That inspires me to write, because I feel like that cements me a bit, in that I find my identity in being an artist.
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I think that most people have deeply creative sensibilities.
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Be confident small immortals. You are not the only voice that all things utter, nor is there eternal silence in the places where you cannot come.
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There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it.
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In Mumbai, you have to act in real life, too.
