Masashi Kishimoto Quotes
Quotes to Explore
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Every city is always changing, on its own trajectory.
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There are moments when we are incapable of exchanging a single word with anybody…it’s beyond us…
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What I love - and I'm a journalist - and what I love is finding hidden patterns; I love being a data detective.
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I'm not alone, I'm free. I no longer have to be a credit, I don't have to be a symbol to anybody; I don't have to be a first to anybody.
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The first time I ever saw him play, Tre Cool was wearing a tutu and an old-womans swimming cap.
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The first thing you find out when yer dog learns to talk is that dogs don't got nothing much to say. About anything. "Need a poo, Todd." "Shutup, Manchee." "Poo. Poo, Todd." "I said shut it.
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What's interesting about the process of acting is how often you don't know what you're doing.
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He who does not welcome the Cross does not welcome God.
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But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.
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I’ve come to the conclusion that people who wear headphones while they walk, are much happier, more confident, and more beautiful individuals than someone making the solitary drudge to work without acknowledging their own interests and power.
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I remember thinking I don't care what he does. I don't care if he beats the crap out of me. I don't care if he rapes me. I just want to get out of here alive.
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May my mind stroll about hungry and fearless and thirsty and supple and even if its sunday may i be wrong for whenever men are right they are not young
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The wise man knows he doesn't know.
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It's tougher for women than men in Hollywood, period, if you ask me. As with most professions, women have generally not found equality with men when it comes to income and influence. There aren't as many female directors, producers, and writers, which translates to fewer complex roles for women.
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In avant garde drama ... primitivism goes hand in hand with aesthetic experimentation designed to advance the technical progress of the art itself by exploring fundamental questions: What is a theatre? What is a play? What is an actor? What is a spectator? What is the relation between them all? What conditions serve this best?
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It’s foolish to fear what we’ve yet to see and know.
