Mats Sundin Quotes
Quotes to Explore
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I don't think my mother and father ever had any doubts about what I was to be punished for or not. My parents come from a very strictly defined culture.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Sadly, for some mothers, this experience can be made so much harder due to challenges with our very mental health.
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The search for knowledge is a long and difficult task.
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I'm not going to lie; the most fun of writing these books is just saying, 'Where am I going to write about? Let me go there!'
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I like to have fun, but I don't think of myself as being funny. But I'm a big jokester, so I make fun of myself a lot!
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All the things that happen to people in the industry today, the actors, what they have to put up with, all the people wanting to know every single moment of their lives - I think it's really sad.
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There are no opportune times for a penalty, and this is not one of those times.
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Engagement means that in the future there will be a lot more ways for our audience to interact with Univision content.
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There are many cultural prejudices. For instance, even though fresh fish is a regional staple, Catalans don't like sashimi.
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Families are families. We've all got them, more or less, and we all know what it's like to be bullied by another generation.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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On stage, you can use your emotions. It's the place where you can channel them. They have a purpose.
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I hear a little firecracker go off when you come up with a good rhyme.
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When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
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I think God just died of old age. And, when I realized that he wasn't any more, it didn't shock me. It seemed natural and right!
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That's the reality of my life - I do normal things and then get to go to film festivals and wear borrowed clothes and turn up at premieres and talk about things I am passionate about. But then you click back to normality and your family and friends.
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The moment one accosts a stranger or is accosted by him is above all in this life the moment of drama... Whoever we meet watches us intently at the quick, strange moment of meeting, to see whether we are disposed to be friendly.
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I'm an activist. I'm a proud activist. So I want to be someone who is pro-black and pro-Africa and still be somebody that has positive influence.
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Onstage or in films, you do affect peoples' lives, and sometimes that's very gratifying. But still, there's this little voice that says you should be doing something that matters.
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You don't want to be a one-trick pony. On a lot of Smiths songs, I used a pick or a plectrum, and for some of the slow songs, I used my thumbs and my fingers. That's why I love the bass - it's adaptable, and you can express yourself so well with it.
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Oftentimes, discussion of war gets flattened to a discussion of trauma.
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You can chose if you want to be imagined or remembered.
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Players come and go, good friends, players who performed well. You can't control that.
