Eric Bogosian Quotes
I started acting when I was in high school, started writing when I got to New York in 1975.
Quotes to Explore
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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Writing is an exploration. You start from nothing and learn as you go.
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In school, I was Martha in 'Who's Afraid of Virginia Woolf?' I loved that.
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Whenever you choose power over love, you will never find true happiness.
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As a boy soprano in the high school choir, I later sang a solo during the carol service at Canterbury Cathedral, but I was too young to secure the Freddy Eynsford-Hill role in our production of 'My Fair Lady' - and far too timid to have thought to audition for it.
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Things are never perfect, so I never get too high about things, or get too down about things anymore.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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Stanford's law school application wasn't the standard combination of college transcript, LSAT score, and essays. It required a personal sign-off from the dean of your college: You had to submit a form, completed by the dean, attesting that you weren't a loser.
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I would have a workshop attached to every school, and one hour a day given up to the teaching of simple decorative arts. It would be a golden hour to the children.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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A good school teaches you resilience - that ability to bounce back.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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I was in college in the '60s, and the whole feminist movement had swept me up.
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I come from the 49er, where there is a high error rate in the sailing but the best sailor still wins, and that's why I'm attracted to these kind of boats.
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Throughout the 19th century, Britain bought cheaply from the countries of the empire and compelled subject countries to buy our goods at high prices.
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I tested on a lot of TV shows and films after I finished drama school.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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We need to have a course in school that teaches about ecology and gastronomy. I could imagine that all children could eat at school for free and that the cafeteria would become part of the school's curriculum.
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Writing 'Hoop Roots' was a substitute or a surrogate activity. I can't play anymore - my body won't cooperate - so in the writing of the book, I was looking to tell a good story about my life and about basketball, but I was also looking to entertain myself the way that I entertain myself when I play.
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I always have a different way of looking at things.
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I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.
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Roger Miller opened a lot of people's eyes to the possibilities of country music, and it's making more impact now because it's earthy material: stories and things that happen to everyday people. I call it 'people music.'
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I started acting when I was in high school, started writing when I got to New York in 1975.
