Ralph Steadman Quotes
I was in a slightly befuddled state by this time and the potent combination of watery beer and whiskey was bringing on a severe attack of drawing, as always happens when I start seeing unusual faces through a haze of controlled drinking. My body becomes a protective casing and lets me observe through the two keyholes on the front of my head.
Quotes to Explore
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I want to break down some of the stigma associated with mental illness.
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I always point out to my Passover guests that the Hebrews were not living in isolation. They were at the crossroads of several great, elaborate cultures with their own mythology and religion and art and architecture and cultural belief. In fact, so many of the mythologies of the world describe the same events, just from different points of view.
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People just don't sit down and watch shows live anymore. They DVR it. They stream it; they watch it on Netflix or iTunes.
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The success of 'The Shadow of the Wind' made me very happy, but it did not change my perspective or the way I was.
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I am blessed to have worked in big-budget films at an early stage of my career.
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When I'm not touring, I hardly ever leave my house. Part of it is I get to do what I'm most passionate about, which is work on music and make new songs.
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When you're young and queer and closeted, you can end up in this place where you regard your straight peers as the enemy.
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One thing you know, if you've been in technology a while, you're only as good as the last thing you did. No one wants an original iPod. No one wants an iPhone 3GS.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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Lead us not into temptation. Just tell us where it is; we'll find it.
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I like pencil skirts because they hug me in all the right places.
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I learned about the market's power when I was traded to the Buffalo Bills for $100.
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No one politician should be allowed to judge the guilt, to charge an individual, to judge the guilt of an individual and to execute an individual.
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Factories not what they used to be - they're all extremely high-tech.
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Every day, you have to get up with new energy and new ideas to contribute to pushing the organization forward.
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'Duty' is a refreshingly honest memoir and a moving one. Mr. Gates scrupulously identifies his flaws and mistakes: He waited too long, for example, for the military bureaucracy to fix critical supply issues like the drones needed in Iraq and took three years to replace a dysfunctional command structure in Afghanistan.
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My mother is a fighter. After she battled polio and learned to walk again, the doctors told her she would be a cripple her entire life. Instead of accepting defeat, she refused this fate and went on to become the West African Women's Singles tennis champion in college.
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IQ is a commodity, data is a commodity. I'm far more interested in watching people interact at a restaurant with their smartphone. We can all read 'Tech Crunch,' 'Ad Age.' I would rather be living in the trenches. I would rather be going to Whole Foods in Columbus Circle to watch people shop with their smartphones.
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I've just always been interested in alter-naturalism and seeing if you can make real life interesting enough to be dramatic without enhancing it. Like, could you make a movie or write a play in which there's no compression of time, there's no enhanced event, it's just real life?
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I believe in art, and more fundamentally the freedom to express one's self creatively. People don't know yet what they'll ultimately believe in or how they'll organize their lives. They're kind of in limbo.
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And if out of a million visitors there is even one to whom art means something, that is enough to justify museums.
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That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.
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Nick Cardy's work helped define some of the things we see in comics today and take for granted. He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio.
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I was in a slightly befuddled state by this time and the potent combination of watery beer and whiskey was bringing on a severe attack of drawing, as always happens when I start seeing unusual faces through a haze of controlled drinking. My body becomes a protective casing and lets me observe through the two keyholes on the front of my head.
