Pedro Almodovar Quotes
Quotes to Explore
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You're not a historian, but most historians will tell you that they make very discrete judgment as to what facts to omit in order to make their book into some shape, some length that can be managed.
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When I look at the world I'm pessimistic, but when I look at people I am optimistic.
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I have a love/hate relationship with just about everything, but certainly with America.
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I know what feels good to eat and what doesn't. I try to err on the side of choices I know will leave me feeling more energized and ready to go, because it's always better to feel healthy.
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I love the holidays on 'The Middle' because I feel like I'm getting that very traditional American holiday experience that I never had growing up.
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Anyone can go out on stage and start beating people over the head with rubber chickens. That'll get people's attention.
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All you have to do is come to Ohio and say, 'I think NAFTA is a lousy deal,' and everybody cheers.
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So, two cheers for Democracy: one because it admits variety and two because it permits criticism.
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Words aren't very good at describing complicated, strange visual things. You can try, and the reader will have some sort of image in their mind, but words aren't good at that.
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The glory that goes with wealth is fleeting and fragile; virtue is a possession glorious and eternal.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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I'm not really a piano player, but I play enough to get away with it.
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I would hate for my father to regret all his support that he's given me over the years and be embarrassed by anything I chose to do.
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Friendship, like the immortality of the soul, is too good to be believed.
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I graduated from the University of California, Los Angeles, with an English literature degree and travelled for a year before going to work.
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Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious.
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I always see where I didn't do things the right way. I only see the heavy lifting. That's a bit of my wisdom, if you want to call it that.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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People aren't buying records like they used to, so it's nice to try to figure out a way to make them do it. I would enjoy the same thing to own an old movie house, to try to trick people to come in - like having 3-D or Smell-o-Vision or Vibra-Vision or something. Mcguffins to get people interested.
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My whole life was geared toward being a highly educated person.
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I haven't really made up my mind concretely about having kids.
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The highlight of my childhood was making my brother laugh so hard that food came out of his nose.
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The movies that I did in the '80s were either good or bad, but I never was oppressed with any feeling - I mean, I thought it was ridiculous to play high school or college students when I was 30. But at the same time, that was really done then.
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My first memory is of the eyes of my brother; he was looking at me all the time.
