Lance Burton Quotes
Quotes to Explore
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Dad said that he was prouder of me than he'd ever been when I came out.
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Her angel's face, As the great eye of heaven shined bright, And made a sunshine in the shady place.
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I love road trips! My husband and I love that. We bought a truck with a bench seat so we could put the dog in the middle.
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When we shoot 'Scrubs' I spend every waking hour of my life in an abandoned and haunted hospital. All I can date there are ghosts and they tend to be horrible snugglers.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward; if you go forward, you have to jump together.
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I think personal beliefs of everybody shape everybody.
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Law grinds the poor, and rich men rule the law.
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I want to have my desperate need for personal success shrunk, not enlarged.
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It's really rare to come across a character, a show, or a movie that allows you to completely play four or five different characters within a season, let alone a week.
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Information is power. But like all power, there are those who want to keep it for themselves.
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I've tried coconut water straight up before, and to me, it's a little funky.
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The only thing I miss on stage is the falsetto.
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I had a really dark time after the Olympic Games... But then I said to myself, 'This is a sport that's blessed me with a home, with an education, with some money. I can't hate this sport. This sport took me out of Louisiana. This sport gave me a chance when so many people don't get a chance. And I love this sport.'
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I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
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I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.
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There is no job that is America's God-given right anymore.
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Shrinking away from death is something unhealthy and abnormal which robs the second half of life of its purpose.
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New voices in an old art - and women poets have been that for much more than a century - do not diminish the art through the category. They enrich it. They renew it with common quandaries of craft and innovation. The category simply allows the quandaries to be seen more clearly.
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I think writers would do better to consider that idea [to write to yourself], because you know yourself really well, and you never know your demographic fully. You only get into trouble if you try to please somebody you don't really understand.
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Drop the idea that you are Atlas carrying the world on your shoulders. The world would go on even without you. Don't take yourself so seriously.
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The whole idea with the 'Breathe' video was for me and Keith to be confrontational, getting at each other without actually making contact. That concept is very similar to how the track feels on stage - the tension and energy between us is electric. When we play 'Breathe' in the set it just sparks something off. It's a combination of the audience, the sound, the track, it's incredible. We tried to capture that in the video but it's very hard. As with all our videos, I imagined I was performing the song live, you feel it much more that way, but even the it is so hard to recreate that live atmosphere. Performing 'Breathe' live is ten times more powerful and overwhelming.
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That the poor are invisible is one of the most important things about them. They are not simply neglected and forgotten as in the old rhetoric of reform; what is much worse, they are not seen.
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I can handle ups and downs.
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I have no idea what's next. I simply don't have a clue.
