James Van Der Beek Quotes
Quotes to Explore
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
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It was the labor movement that helped secure so much of what we take for granted today. The 40-hour work week, the minimum wage, family leave, health insurance, Social Security, Medicare, retirement plans. The cornerstones of the middle-class security all bear the union label.
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It became clear to me in an instant that living a gay life without publicly acknowledging it is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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No man is a success in business unless he loves his work.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I would describe my personal style as eclectic.
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This old notion that work is drudgery is nonsense. Most days, even back when Xerox was under siege, I could not wait to get to the office.
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Quality is everyone's responsibility.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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I find it's really hard for anybody to meet anyone. I'm not big on dates anyways. I still have to work that out.
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I come from a family of domestics. I think most African-Americans of my age do. They were trusted by their bosses. I have met so many white people that spent more time with their nannies than they have with their own parents.
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The minute I put my leg on a horse and say, 'Come on, let's go,' I absolutely believe that the horse and I can do it and that we will do it. And I am always shocked when we actually don't do it. If the analytical mind ever overrode that optimist in me, I'd be in some serious trouble.
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I am not ready to fit into the mould of commercial cinema.
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I love gadgets.
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I think it's really tragic when people get serious about stuff. It's such an absurdity to take anything really seriously … I make an honest attempt not to take anything seriously: I worked that attitude out about the time I was eighteen, I mean, what does it all mean when you get right down to it, what's the story here? Being alive is so weird.
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The less seriously you take yourself, the better work you're going to do.
