Matt Mullenweg Quotes
I don't care what hours you work. I don't care if you sleep late or if you pick a child up from school in the afternoon. It's all about your output.
Quotes to Explore
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The 1992 crisis proved that the existing system was unstable. Not moving forward to the euro would have set up Europe for even more disruptive crises.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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As I grew older, I actually was prepared to go into fine arts school and do a degree. That was what I was actually settled upon when I was offered a record deal.
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I grew up, until age 6, in Chicago. My parents rented their apartment and, at the end of the Depression, my parents wanted to replicate that situation. So, again, we lived in a somewhat suburban setting outside of New York City, and again, they rented.
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What I observed about my fellow actors was that most gave up very easily.
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I guess my favorite artists are The White Stripes or Tom Waits. The more theatrical the music is, the more I get into it. I also like the quieter folk music, that kind of old-school rockabilly or country. I'm not really picky when it comes to music, as long as it's honest.
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I'd just like to be good at sports. I'm extremely competitive with absolutely nothing to back it up.
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The thing I like about baseball is that it's one-on-one. You stand up there alone, and if you make a mistake, it's your mistake. If you hit a home run, it's your home run.
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Speech and having a stammer is obviously a big part of my life.
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My evening really begins when I take a long, hot bath. I light a candle, and I turn on the news and try to catch up. It's when I can breathe from the day to the night, and that means a lot to me.
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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As long as I can remember, growing up we had a guitar around our house, and I was always plucking on it.
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I love to work with performers that are very different to me.
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We need to incorporate that age-old concept of redemption into the work that we do in the criminal justice system in California.
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Certainly it is a blessing to have three beautiful kids who are all healthy. God put them here for me to nurture and bring them up and try to keep as close to right as I can. So it's a blessing. It's a big responsibility, but at the same time it's an honor.
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I think it is very important to be a method actor.
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I don't want to put myself in any kind of a box as far as my sound goes, because being an artist is fluid. If you look at a painter's work, a lot of times, it's similar in style, but other times - over even a year's period - it can change so much. I'm just going with the flow.
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I was born naked. I'm a natural. I'm a natural nude. So I've been on camera naked a lot.
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If I really had to pinpoint my happiest days out of the United States, I'd choose those Fifties military days in Britain, particularly my time in South Ruislip. I had a ball.
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I went to an ordinary school in New York City with no other actors. I learned to compartmentalise different parts of my life. I was one person at home and then another person at work and for that reason my career didn't challenge my family life.
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I read, every day, the 'Wall Street Journal''s editorials because I like to think how my smart enemy thinks.
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I don't care what hours you work. I don't care if you sleep late or if you pick a child up from school in the afternoon. It's all about your output.
