Peggy Lipton Quotes
Sometimes I would make myself very still and try to imagine myself dead. I tried to invoke the feeling of the very last breath I would take.
Quotes to Explore
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I've been married over 50 years of my life.
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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New York is such a versatile city, and there's always something new to discover.
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The justice delivery system needs structural change. It needs fresh vision and innovative solutions.
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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I'm from Port Arthur, Texas! Little guy! Little character guy from one of the saddest oil-refinery towns in America. And here I was driving over to Beverly Hills, to 20th Century Fox, to be on 'M*A*S*H!'
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A lot of what gets on the radio isn't saying anything other than somebody wants to be famous and will do whatever they're told to get it.
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I'm the Ali of today. I'm the Marvin Gaye of today. I'm the Bob Marley of today. I'm the Martin Luther King, or all the other greats that have come before us. And a lot of people are starting to realise that now.
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I had studied at Harvard and MIT astronomy and a lot about the heavens and the star system and so forth.
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As you get older, you get different, and I'm a mushier, softer person as I get older.
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Over the next decade, there will be disruption as significant as the Internet was for publishing, where blockchain is going to disrupt dozens of industries, one being capital markets and Wall Street.
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I want to be judged by who I am, not by a relationship.
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I am always late because people stop me for autographs and say hi.
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People want to come to Pakistan but are not given visas. We wish for visas to be given to those people who want to come to Pakistan.
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I've always felt so fortunate to have writing to turn to every day. I'm obsessed with it.
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I didn't actually begin professionally acting until I was 30.
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What I write, I write. I'll always do it in some form.
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I'm drawn in some strangely natural way to immersing myself in a milieu whose rules I don't understand, where there are things you can't access simply by being intelligent or doing well in school.
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My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
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In this business, the minute you start feeling comfortable about the show you're doing or the ratings you're getting, you're in big trouble.
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Background scores allow me an absolute flight of the imagination, and I travel in my mind's eye. I do not like the scores to have vocal notes, because they act as a limitation to these flights of fancy.
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I grew up in Philadelphia in a time where we took it for granted that we were supposed to be young and gifted and black. It was a culture of excellence - and all my friends were more talented than I was.
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Sometimes I would make myself very still and try to imagine myself dead. I tried to invoke the feeling of the very last breath I would take.
