Frank Stella Quotes
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They just want to get a handle on you and the idea, and that's enough. Some people sense more but they don't really get into it because it's going one step too far. But the whole idea of making art is to be open, to be generous, and absorb the viewer and absorb yourself, to let them go into it. I have to go into all those places in order to make it work.
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Only what can be seen there in the painting is there.. .What you see is what you see.
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I want to make exalted art. A successful image has pictorial lift. I am looking for whatever is up there.
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When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.
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I wanted something that was direct – right to you eye .. ..something you didn't have to look around – you got the whole thing right away.
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I don't know how I got into sculpture. I liked its physicality, that's the only reason. I didn't have a program.
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We believe that we can find the end, and that a painting can be finished. The Abstract Expressionists always felt the painting's being finished was very problematical. We'd more readily say that our paintings were finished and say, well, it's either a failure or it's not, instead of saying, well, maybe it's not really finished.
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The painting never changes once I've started to paint it. I work things out before-hand in the sketches.
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When people still talk about art that I made in the 60's- most of them never saw it, and they never lived through it, and they don't have a clue about it. The idea that they know what minimalism is is absurd. I don't know what minimalism is!
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One learns about painting by looking at and imitating other painters.
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I didn't want to mask variations; I didn't want to record a path. I wanted to get the paint out of the can and onto the canvas.. .I tried to keep the paint as good as it was in the can.
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The idea in being a painter is to declare an identity. Not just my identity, an identity for me, but an identity big enough for everyone to share in. Isn't that what it's all about?!
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There are two problems in painting. One is to find out what painting is and the other is to find out how to make a painting. The first is learning something and the second is making something.