Jamie Muir Quotes
There wasn't much work around at the time, I think I found a bit in Germany or something, but we played together and somehow the bassist Laurie Baker got involved as well - I can't remember exactly how.
Quotes to Explore
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I style my roles mostly with some help from my team of stylists.
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Anyone can go out on stage and start beating people over the head with rubber chickens. That'll get people's attention.
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My parents were both entrepreneurs.
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Creativity runs across many categories in life, from the arts-and-crafts project a mum or dad does with their kids, to the bestselling author's manuscript, to the designs of the hairdresser, to the creations of the computer programming genius.
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Now, everybody knows my music. So that's really cool. A lot of kids know it. Now, when I go to a sports game, everybody knows my name.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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I'm not denying that it's exciting to have a play on Broadway.
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There are some movies you do for the character; there are some movies you do for the people.
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Sandy Koufax went to the same school as me. I graduated two years ahead of Sandy.
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Mostly, I don't write overtly personal stuff.
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Experimenting with different sounds is great, but when it comes down to it, you're still playing a guitar.
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'Ender's Game' has fabulous opportunities for spectacle, where appropriate, but there's also a tremendous central character. It's a balance.
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My tennis is aggressive, though I wouldn't say that it's more physical than technical. I rely more on technique than physique, but being physical is always a help to me.
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There's some quality you get when you're not totally comfortable. When you're not doing what you're used to, you could completely fall on your face. You could completely blow it.
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My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.
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It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
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I thought it must be desperate to be old. To wake up in the morning and remember that you were ancient - and so behave that way. I thought old people were full of aches and pains and horrible illnesses.
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You always hear about delegation, but people make the mistake of delegating and not following up. I give authority, but I stay in touch. Otherwise it doesn't work.
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Any little touch a defender can make on me when I'm in the air literally moves me. On the ground, I can use my muscle, but in the air, it's harder to fight that off.
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Ambiguity lurks in generality and may thus become an instrument of severity.
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At John Schlesinger's funeral at a synagogue in St John's Wood some years ago the person I stood next to said to me encouragingly, 'Come on, Stephen - you're not singing. Have a go!' 'Believe me, Paul, you don't want me to,' I said. Besides, I was having a much better time listening to him. 'No. Go on!' So I joined in the chorus. 'You're right,' Paul McCartney conceded. 'You can't sing.
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I like to record records in Los Angeles. It's less distracting than New York, where I was based.
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Technology is best when it brings people together.
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There wasn't much work around at the time, I think I found a bit in Germany or something, but we played together and somehow the bassist Laurie Baker got involved as well - I can't remember exactly how.
