Brett Favre Quotes
Quotes to Explore
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When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
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Even when Facebook came out, and I was in college, I found myself never putting anything on it.
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I think that we are trying to put data communications, telecommunications and media communications together and be the No. 1 player there.
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Actors, to a certain extent, never grow up, you see. It's an extension of being out in the back yard with a stick, only you're being paid to do it. It's borderline madness.
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Good comedy is ageless.
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I do love being on television and in peoples' homes. I'm not an actor, so there is a connection that's real.
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It's not easy to talk about things that are still hurting.
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I think of Twitter as the place where I go to have a great conversation when I can't have one locally, which seems to be all the time, and the more time that I spend on Twitter, the more I sort of curate this incredible group of very intelligent people that I just get to know purely through the quality of their thoughts.
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We are two brothers: I am a doctor; my brother is an engineer.
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For the first time I go to La Scala, for each thing, for each rehearsal, my knees were shaking. But the audience was very fine with me.
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I think the attraction to Israeli women stems from the fact that we're exotic and the fact that there are many talented and beautiful women in Israel. I think that there is also greater awareness of Israel than before in the movie industry.
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Young people do not watch television; they are on the Internet.
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Music is almost like a therapy for me. It helps keep me centered and think straight. Before I discovered it, I was walking around, and it felt like there were 25 extra pounds of gravity on my shoulders. It's like you're mute or something.
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I want to lay all my cards out on the table and walk away with no regrets.
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I take nothing away from my existence in the 'hood, because it sharpened my instincts. We had a different way of living that developed our survival instincts, and I use those to this day when I make films. You can't buy that.
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I was a foggy, erratic teenager: a fifth child, the last in the queue for conversation or attention.
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One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago.
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I know how to wrap my turban a little better now. In the beginning, it was a little weird.
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I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.
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Sensitive, responsive, eagerly welcomed everywhere, the drama, holding the mirror up to nature, by laughter and by tears reveals to mankind the world of men.
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If you're a conservative, you think I'm Satan.
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Having to go back and forth between school and filming would sometimes be frustrating because I loved school. It was my chance to be around other people my age. But when you're leaving school to go to a set that's filled with kids your age, then it's fine.
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I've been pretty fortunate.
