Brett Favre Quotes
Quotes to Explore
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When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
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Even when Facebook came out, and I was in college, I found myself never putting anything on it.
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I think that we are trying to put data communications, telecommunications and media communications together and be the No. 1 player there.
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Actors, to a certain extent, never grow up, you see. It's an extension of being out in the back yard with a stick, only you're being paid to do it. It's borderline madness.
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Good comedy is ageless.
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I do love being on television and in peoples' homes. I'm not an actor, so there is a connection that's real.
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It's not easy to talk about things that are still hurting.
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I think of Twitter as the place where I go to have a great conversation when I can't have one locally, which seems to be all the time, and the more time that I spend on Twitter, the more I sort of curate this incredible group of very intelligent people that I just get to know purely through the quality of their thoughts.
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We are two brothers: I am a doctor; my brother is an engineer.
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For the first time I go to La Scala, for each thing, for each rehearsal, my knees were shaking. But the audience was very fine with me.
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I think the attraction to Israeli women stems from the fact that we're exotic and the fact that there are many talented and beautiful women in Israel. I think that there is also greater awareness of Israel than before in the movie industry.
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Young people do not watch television; they are on the Internet.
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Music is almost like a therapy for me. It helps keep me centered and think straight. Before I discovered it, I was walking around, and it felt like there were 25 extra pounds of gravity on my shoulders. It's like you're mute or something.
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I want to lay all my cards out on the table and walk away with no regrets.
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I take nothing away from my existence in the 'hood, because it sharpened my instincts. We had a different way of living that developed our survival instincts, and I use those to this day when I make films. You can't buy that.
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I was a foggy, erratic teenager: a fifth child, the last in the queue for conversation or attention.
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One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago.
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I know how to wrap my turban a little better now. In the beginning, it was a little weird.
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I'm hoping that, over the years, people will come back to 'MADtv' and think it isn't that bad. We had some really talented people on there.
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There's a lot of animals in the open ocean - most of them that make light. And we have a pretty good idea, for most of them, why. They use it for finding food, for attracting mates, for defending against predators. But when you get down to the bottom of the ocean, that's where things get really strange.
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Live shows are pretty much like the center of the storm... where the power comes from, the most raw experience. That's the juice. That's where we hit the hardest.
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From the outside, the CIA seems pretty exotic, but from the inside, it's a big, bureaucratic place. Think 'post office with spies.'
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Money is a never-ending problem.
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I've been pretty fortunate.
