Matthew Arnold Quotes
Quotes to Explore
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There are hundreds of people running around with great voices. If they would study and develop them they could become great singers.
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Growing up, I was taught that a woman should lower her gaze so that men could never know her thoughts. The so-called modesty of Arab women is, in fact, a war tactic.
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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When you write, you don't have the social constraints of having people in front of you, so you talk about abstract matters.
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I had decided that if I was going to be a singer, I had to earn it. I had to learn how to play an instrument.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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Growing up in a particular neighborhood, growing up in a working-class family, not having much money, all of those things fire you and can give you an edge, can give you an anger.
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Certain subjects may no longer be taboo in cinema. But there are ways to treat them that still create shock.
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As anyone who has covered the company for any length of time knows, Yahoo's record on major decision-making has been akin to a hippie commune - a lot of wrangling internally in a culture where everyone seems to have a voice and a reticence to push the button to launch.
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I do not believe in populism. I am not a supporter of radical decisions. Practice has shown that usually these are harmful.
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No one ever complains about a speech being too short!
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I'm really proud that the LGBT community has gotten behind me because, as I said, I am part of the community, so I do as much as I possibly can for our community and for our rights, so it's nice that everyone is supporting me as well.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
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I'm always thinking, 'My goodness, I got booked again!' So I am really happy to still be working.
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I only regret that I have but one life to lose for my country.
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A man perceives himself as owning and being owned by a woman.
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Stardom is only a by-product of acting. I don't think being a movie star is a good enough reason for existing.
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When I wrote my first book, 'Koolaids,' I felt rejected and not wanted.
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My parents have always been very open.
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It's better to be a fake somebody than a real nobody.
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I must hold in balance the sense of the futility of effort and the sense of the necessity to struggle; the conviction of the inevitability of failure and still the determination to 'succeed' - and, more than these, the contradiction between the dead hand of the past and the high intentions of the future.
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If you're using your imagination, you tend to look into the past for ideas.
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I am past thirty, and three parts iced over.
