R. C. Sproul Quotes
Without the gospel, a gathering of people, though they claim otherwise, cannot be an authentic church.
Quotes to Explore
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When I was on 'Trauma,' the first order was six, which turned to 12, and then there were rumors of getting cancelled. I'm used to that.
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Advertising is what you do when you can't go see somebody. That's all it is.
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The way I like to work is to attach personal experiences to what I'm doing, so it helps tremendously if I can write my own play under what the writer has written.
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Any woman who wishes to smash into the world of men isn't very feminine.
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The hand is the cutting edge of the mind.
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I'm old enough to remember the end of World War II. On Aug. 14, 1946, a year after the Japanese were defeated, most newspapers and magazines had single articles commemorating the end of the war.
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I don't know the right way to retire.
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We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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I think the audience keeps it fresh for me. You just never know – every audience has its own personality.
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Slow travel now rivals the fly-to-Barcelona-for-lunch culture. Advocates savour the journey, travelling by train or boat or bicycle, or even on foot, rather than crammed into an airplane. They take time to plug into the local culture instead of racing through a list of tourist traps.
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If you've got unemployment, low pay, that was just too bad. But that was the system. That was the sort of economy and philosophy against which I was fighting in the 1930s.
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We make a ladder for ourselves of our vices, if we trample those same vices underfoot.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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You can't say what the outcome of a competition is going to be, so now I am ready to accept any result that comes my way, if I give my best shot.
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I grew up in a hippie commune so I have a real hippie part of me.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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I did five movies in Australia, I did three films in Germany, this is the fourth film I've done here in the UK, I've done a bunch of films in Canada.
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Bernstein grew up in my building in New York. He's a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz.
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With my friends in Brooklyn, many of them started out as artists. I saw many of these friends move into late middle age, still struggling without health insurance or a cushion. I saw people who had given up being artists. Being an artist necessitates a compromise or living on the edge.
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I don't have the activist temperament. I like listening to divergent points of view and hearing people out. I like getting along. I even like being liked, although activists of any stripe should get rid of that handicap at the outset.
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The people are hungry for the bread of life. Do not offer them a stone.
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Without the gospel, a gathering of people, though they claim otherwise, cannot be an authentic church.
