Oscar Isaac Quotes
When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
Quotes to Explore
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I won't allow myself to have tremendous fear.
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My motivation has always been health - eating healthy and taking care of myself.
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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I consider myself not a conservative libertarian but a radical '60s libertarian.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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One of the first gardens I did outside the family was for the designer Hattie Carnegie. I was 23 then, and I went to her salon, but could not afford any of her dresses myself, though I loved them. Miss Carnegie suggested I do a garden in exchange for a coat and dress, and so I designed and planted a garden for her.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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I've gone very far, far away, but my character keeps me close to home.
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Every story I create, creates me. I write to create myself.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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The analysis of character is the highest human entertainment.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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The language denotes the man. A coarse or refined character finds its expression naturally in a coarse or refined phraseology.
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I want to make sure I don't interfere with the success of that team next year. I don't see any way I could go to practice like most of 'em do, and not hurt the team. I'd go nuts if I tried doing that.
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I have no problem with Khalid Abdul Muhammad. My problem is with Giuliani. It is not Khalid who is talking hate. It's Rudy Giuliani.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
