Jane Velez-Mitchell Quotes
A breeding sow spends most of her life in a tiny cage. It's usually about seven feet long and two feet wide. She cannot turn around. She cannot scratch herself. She must urinate and defecate where she stands. Simply put, I believe she is tortured, day in and day out.
Quotes to Explore
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I am the last guy that wants to quit making music.
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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We have been given a role to play. We have been asked to provide, to give lectures on the role of Islamic development and the way we do it here, so the people who are Muslims there would understand what the role of Islam is.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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I grew up in the '80s. I was a kid, but all my favorite movies came out of that period.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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There's something about the silence of people listening to someone or watching someone - I just... I love that.
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The more I talk about things, the more I understand myself.
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You're either with me or you're not. And if you're not, you're out.
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My parents were divorced by the time I was even conscious - like, I don't remember them ever being together.
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In general, being likeable is more about being interested - rather than interesting. Indeed, a good way to convince someone that you are an awesome conversationalist is to simply shut up and let the other person talk.
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I'm happy with the coach we have. I think any one of the ones I asked them to consider would've been good.
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I was brought up in the shadow of the Holocaust. My mother lost most of her family, and I didn't realize how much the guilt of survivorship weighed on her until I was an adult.
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I've never pursued a role. I always hear stories about actors going after parts and I'm, like, 'How do they do that?' It seems so weird. It seems like a total myth or something.
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Every night we all felt grateful to be there, stunned at the amount of people that are there, and stunned at their reactions. They go crazy; they know every lyric from eight years of age to eighty. It's unbelievable.
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Originally I had planned to revert to nuclear physics there, in particular the structure of the deuteron.
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I use the setting of a small rural Norwegian community - the kind of place that I know so intimately. I could never write a novel set in a big city, because, frankly, I don't know what it would be like.
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Before I went to a meeting at the 'Harvard Lampoon,' I had no idea that there was even a comedy magazine at Harvard, let alone that you could write comedy potentially for a living.
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Nobody I ever broke bread with - and I see players all the time - talked about using their head running the football. I've seen Barry Sanders and Eric Dickerson and Marcus Allen and Franco Harris, and we've all been together - we were all together at the Super Bowl - and no one talked about using their head.
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I wanted to think about our creation myth; you know, what is the fundamental story that defines America. And it certainly is the West.
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The idea of a world where all people are alike - in wealth or in anything else - is a fantasy for the stupid.
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A breeding sow spends most of her life in a tiny cage. It's usually about seven feet long and two feet wide. She cannot turn around. She cannot scratch herself. She must urinate and defecate where she stands. Simply put, I believe she is tortured, day in and day out.
