Penny Jordan Quotes
It's not very glamorous. People certainly wouldn't think so if they saw me sitting in my woolly socks at the kitchen table. Many times I sit at the typewriter and think, 'Why am I doing this?'
Quotes to Explore
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I had no expectations of white people at all.
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I always said I'm not disappointed with Obama because I voted for him because he was black, and as long as he kept being black, I was a happy man.
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Being Premier is a 24/7 job, so it doesn't create many spaces in order to be able to build relationships.
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We have to surmount the difficulties that face us and work steadfastly for the happiness and prosperity of our country.
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Few men desire liberty; most men wish only for a just master.
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Comedy, we may say, is society protecting itself - with a smile.
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Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years.
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We fear to know the fearsome and unsavory aspects of ourselves, but we fear even more to know the godlike in ourselves.
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Often, little situations trigger enormous reactions. Be there, present for it. Your partner will find it easier to see it in you, and you will find it easier to see it in them.
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I don't know the right way to retire.
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A good scare is worth more to a man than good advice.
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A religion that takes no account of practical affairs and does not help to solve them is no religion.
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That's one of my real goals is to keep theater in my life.
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It seemed like most of the memories faded before they had time to form. And after a while, my life with my father seemed like a familiar story or a distant dream.
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I love rock n' rollers.
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When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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I'm not really one of those people who believes that if you're a musician you can just leave that behind and start getting into politics.
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But I'm so slow on it because I find it terribly hard writing blind on computers. The computer speaks to me, but it's just so slow, I'm so terribly slow using it.
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When I was at drama school, I remember going to Amsterdam for new year and sitting with friends on the front of a P&O ferry in the wind, having some sort of 'Titanic' moment, declaring ourselves to be the new kings of theatre.
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To be blunt, we went down that road in Iraq. Thanks to the extraordinary sacrifices of our troops and the determination of our diplomats, we are hopeful about Iraq’s future. But regime change there took eight years, thousands of American and Iraqi lives, and nearly a trillion dollars. That is not something we can afford to repeat in Libya.
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A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."
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It's not very glamorous. People certainly wouldn't think so if they saw me sitting in my woolly socks at the kitchen table. Many times I sit at the typewriter and think, 'Why am I doing this?'
