Sam Francis Quotes
The personal lives of painters are tragic and inevitable and do not explain the artist. For the artist is his work and no longer human.
Quotes to Explore
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If you're going to play the game properly, you'd better know every rule.
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What I'm trying to do is save and rescue the country if I can, and I'm doing my best to do it.
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How do you play 'righteous'? Do you just kind of stand up straighter? What does that mean as an actor? You don't really play a quality.
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When you are tough on yourself, life is going to be infinitely easier on you.
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I never left doo wop.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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When the news is good, the BBC view is: 'Get the government out of the picture quickly, don't allow them to say anything about it.' When the news is bad: 'Let's all dump on the government.'
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Culture is a little like dropping an Alka-Seltzer into a glass - you don't see it, but somehow it does something.
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When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat.
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My father was born in Newark, New Jersey, and my mother was born in Philadelphia. They both went to Stanford for grad school and met there.
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I would literally have to go meet people so they could see I didn't have big red hair and wear high heels constantly. It was just really ingrained in people.
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There is no force so democratic as the force of an ideal.
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If you're a basketball player, you've got to shoot.
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Even if I'm making music for people for $20 a night, at least I'm making music.
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I love the crowds at festivals because they're so chilled out.
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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.
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Now that I'm gone, I tell you, don't smoke.
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Of course, I grew up hearing Latin music but, to be honest, aside from my personal circumstances, like most kids I wanted to rebel against what I considered to be such old fashioned fare.
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I don't believe in blaming inanimate objects for anything.
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If the facts are contrary to any predictions, then the hypothesis is wrong no matter how appealing.
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I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
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Think of and look at your work as though it were done by your enemy. If you look at it to admire it, you are lost.
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The personal lives of painters are tragic and inevitable and do not explain the artist. For the artist is his work and no longer human.
