Sam Francis Quotes
The personal lives of painters are tragic and inevitable and do not explain the artist. For the artist is his work and no longer human.
Quotes to Explore
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If you're going to play the game properly, you'd better know every rule.
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What I'm trying to do is save and rescue the country if I can, and I'm doing my best to do it.
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How do you play 'righteous'? Do you just kind of stand up straighter? What does that mean as an actor? You don't really play a quality.
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When you are tough on yourself, life is going to be infinitely easier on you.
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I never left doo wop.
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I love cycling.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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When the news is good, the BBC view is: 'Get the government out of the picture quickly, don't allow them to say anything about it.' When the news is bad: 'Let's all dump on the government.'
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Culture is a little like dropping an Alka-Seltzer into a glass - you don't see it, but somehow it does something.
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When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat.
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My father was born in Newark, New Jersey, and my mother was born in Philadelphia. They both went to Stanford for grad school and met there.
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I would literally have to go meet people so they could see I didn't have big red hair and wear high heels constantly. It was just really ingrained in people.
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There is no force so democratic as the force of an ideal.
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If you're a basketball player, you've got to shoot.
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Even if I'm making music for people for $20 a night, at least I'm making music.
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I love the crowds at festivals because they're so chilled out.
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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.
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Now that I'm gone, I tell you, don't smoke.
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I don't think movies can ever be too intense, but people have to understand why you're showing them the things you are showing them.
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That is how I would have acted before my accident, but now my personal history had become unimportant. It had stopped being history and was once more becoming a legend, a search, an adventure, a journey into and away from myself. I was once more in a time which the things around me were changing and that is how I wanted it to be for the rest of my days.
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People come to me with their passion about transportation, about education, about health care, about agriculture, the dairy industry, the almond growers. I'm just a kid in a candy store, learning and eating up all this different knowledge.
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I don't think people talk to me because I'm such a good, charming, good-looking guy. I don't - whether that's true or not. I think they do it because I work for a major news organization, and they think that it can probably be helpful to them and their business interests or their personal interest and what have you.
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The personal lives of painters are tragic and inevitable and do not explain the artist. For the artist is his work and no longer human.
