Pepe Eliaschev Quotes
I sometimes question whether journalists here are being asked to take up roles that are not ours. I get calls from people complaining that their telephone is out of order or that electricity is cut, and I sometimes wonder why don't they call the telephone or electric company.
Quotes to Explore
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I'm a capitalist but one who is smallist and localist, and who favours businesses where owners are still in charge.
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I was fortunate enough to get an author-backed role in Aamir Khan starrer 'Talash.'
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Any manager can do well in an expanding market.
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In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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Christmas is, of course, the time to be home - in heart as well as body.
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Golf is played with the arms.
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So long as you do not achieve social liberty, whatever freedom is provided by the law is of no avail to you.
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I just want to do the best things I can do on the field, do the things I know how to in baseball, have fun.
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The thing is, any time anyone invades anyone on stage, the invader always looks really bad no matter what point they're proving - obviously that applies to myself too.
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I venture to say no war can be long carried on against the will of the people.
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I've had completely gray hair since, like, 30.
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The spirit of L.A. is untamed wilderness. It's earthquakes and wildfires and oceans and mountain lions and fog. There's great physical beauty.
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One of the biggest things that happens to many people when they have kids is that you suddenly realize that you're not going to last forever. You know there is another generation who are the heroes of their own stories, and that is humbling.
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Early on I saw the plastic quality in colored people and had friends among them; and later was to work from colored models and friends, including Paul Robeson, whose splendid head I worked from in New York. I tried to draw Chinamen in their quarter, but the Chinese did not like being drawn and would immediately disappear when they spotted me.
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I love Dr. Hauschka's blue mascara. It's not so blue that it's like, 'What's wrong with you?' It's more like a secret that you're wearing it.
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What doesn't feel okay to me, what feels a little bit out of balance, is when you want to turn yourself into something else – when you want to be another person.
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I try and groom myself, be it through fitness or dance.
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Part of spiritual and emotional maturity is recognizing that it's not like you're going to try to fix yourself and become a different person. You remain the same person, but you become awakened.
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When dealing with people, remember you are not dealing with creatures of logic, but creatures of emotion.
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If anything, I want to please people too much.
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The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.
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I sometimes question whether journalists here are being asked to take up roles that are not ours. I get calls from people complaining that their telephone is out of order or that electricity is cut, and I sometimes wonder why don't they call the telephone or electric company.
