Per Petterson Quotes
Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
Quotes to Explore
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My concept of government's role in people's lives is that it is limited but legitimate, and essential when people have nowhere else to turn.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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People say, 'Oh, politics is so polarized today,' and I'm thinking... '1861, that was polarized.'
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I'm not out there to be blocking shots or fighting guys. I'm out there to produce offensively.
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The Hindu nationalists see a religion near perfection save for the tampering of Muslims and Christians. So they fall upon these groups, rather than try to reform their own practices by drawing on India's sophisticated philosophical traditions.
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Here's my whole marketing idea: treat people the way you want to be treated.
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Tolerance, openness to argument, openness to self-doubt, willingness to see other people's points of view - these are very liberal and enlightened values that people are right to hold, but we can't allow them to delude us to the point where we can't recognise people who are needlessly perpetrating human misery.
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You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
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I'm not that involved in personal grooming. But I try not to be offensive to people.
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Some people seem to see compassion as being mushy.
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People give us credit only for what we ourselves believe.
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The reason why I meditate and pray in general is just to remind myself that it is not about me.
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Writing is a very lonely occupation. To write you need to concentrate, to concentrate you need to lock yourself away. No distractions; you want your stream of thought uninterrupted.
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The roar of the crowd when you come out for a final is like nothing else: when 15,000 people are cheering you, a lot of adrenaline goes right through you.
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Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.
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I just think that people take me a little more seriously as a brunette. I don't know if that's just because of a societal preconceived notion that all blondes are stupid, but it's a different kind of attitude.
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What I have said to people is that I've lived the American dream, because I have.
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It's really nice to be in something that you really love and want to share with people. And then, for it to actually get shown and for people to be able to see it is awesome. It's really exciting.
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The problem with the West is that they start with political reform going towards democracy. If you want to go towards democracy, the first thing is to involve the people in decision making, not to make it.
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relationships. That's all there really is. There's your relationship with the dust that just blew in your face, or with the person who just kicked you end over end. ... You have to come to terms, to some kind of equilibrium, with those people around you, those people who care for you, your environment.
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The thing that has always baffled me about people's perception of my writing is the sense that I'm a very controversial, opinionated, polarizing person. I feel like I write about things that I'm interested in, and I describe why they're interesting to me. I could be negative, I guess. It's far easier to write why something is terrible than why it's good.
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I disagree strongly with the concept of separation of church and state. It was not written into the Constitution.
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I have spent my life paying attention to my art form, developing my art form, worrying about my show and what I'm bringing to people, making sure that I give them a fine trade.
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Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
