Janet Street-Porter Quotes
Forget romantic fiction, a survey has found that most women would rather read a good book than go shopping, have sex, or sleep.
Quotes to Explore
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I had set a goal of being a producer by 25.
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I have always had a horror and detestation of poverty.
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My brothers and I would sit out on the park bench and harmonize.
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What really matters is what's on the inside.
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I have a massive divide between being a competent human being and being completely hopeless, when it comes to logic.
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Insight enables you make sure you don't allow negative beliefs to get permanently set in your thinking - just the same way you wouldn't want fractured bones to be permanently set into place.
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I feel like I have so many middle-aged women who look up to me.
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I'm being driven crazy by people who are obsessed with limiting the scope of government, but feel perfectly free to demand that government get involved in women's most personal choices.
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Family entertainment is really very necessary in our culture. Look how profitable they are. It's almost not discretionary. You need to take your family to the movies.
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I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.
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Archery requires very sensitive muscles.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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A man that ain't willin' to cheat for a poke don't want it bad enough.
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All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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Success is so bad for everybody, period. Especially a certain kind of success, when people practically give up their identity. They forget who they are, how they are.
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It's very flattering when you look into the crowd and people have made an effort and dressed in your style.
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I don't understand if the conservative movement says you can't be gay and conservative, and I'm straight, then I don't think I can abide by that form of conservatism.
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The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
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I would never go to a gym. How could I do it? So I tried to do it in my house and it doesn't work.
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I'm the happiest when I'm in the studio, not on a beauty parade.
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For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
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Forget romantic fiction, a survey has found that most women would rather read a good book than go shopping, have sex, or sleep.
