Janette Turner Hospital Quotes
I am extremely interested in how people negotiate catastrophe, not because I'm morbidly interested in it but because I'm interested in the secret of resilience; that's what I'm always exploring in the stories and the novels.
Quotes to Explore
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I talk every day about doing the right thing.
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If you worried about falling off the bike, you'd never get on.
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Once brave politicians and others explain the war on drugs' true cost, the American people will scream for a cease-fire. Bring the troops home, people will urge. Treat drugs as a health problem, not as a matter for the criminal justice system.
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I was brought up in an environment where my parents expressed their financial concerns in front of their children.
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Our presence in Afghanistan is not worth the price of any more American lives or treasure.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
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I try and find fun activities like mountain biking, hiking, or water sports for a workout rather than pushing weight in the gym.
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From my experience and understanding, I believe money follows name and fame, while recognition calls for a huge amount of sacrifice. To get something, you have to lose something. That's the rule of life.
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If you really want something, it's nerve-racking, but at the same time, I try not to stress myself out about it too much because there are also so many arbitrary things that go into being cast for something - you know, like the color of your eyes, all these things that are kind of out of my control.
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My hope that Thatcher would inadvertently bring about a new political revolution was well and truly bogus. All that sprang out of Thatcherism were extreme financialisation, the triumph of the shopping mall over the corner store, the fetishisation of housing and Tony Blair.
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When someone was hitting me, or like sexually molesting me, it just seemed normal to continue to do that to myself.
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Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
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No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.
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Making music is fantastic.
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Starting out, they told me: 'You're a good-looking guy. We'll put you in this role, and you can be a conduit for the audience into this side of the story.' But I've grown up, and that's not what I want anymore. My concept of the job I do has evolved. And it is a job, nothing more.
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A people's literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.
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The Chinese are brought up to believe that you should be silent in class. The teacher speaks, and you just listen and absorb what they say.
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We sat around and I fed them barbecue and whiskey. And pretty soon everyone started to compete with each other on the guitars. It seemed the more everyone drank and ate, the more everyone got into it.
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The truth is, I hate to perform. I get such bad stage fright, it makes me physically ill.
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Wedding fever is one of the scariest diseases I have ever seen.
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I don't lose any sleep at night over the potential for failure. I cannot even spell the word.
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I think most of the ICOs you're seeing are not real token use cases. They're really securities, so I think the SEC should regulate that.
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When I was growing up as a young lesbian in the '50s, I looked in vain for books about my people. I did find some paperbacks with lurid covers in the local bus station, but they ended with the gay character's committing suicide, dying in a car crash, being sent to a mental hospital, or 'turning' heterosexual.
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I am extremely interested in how people negotiate catastrophe, not because I'm morbidly interested in it but because I'm interested in the secret of resilience; that's what I'm always exploring in the stories and the novels.
