Walter Murch Quotes
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
Quotes to Explore
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I don't have any problem with being the guy whose album people put on when they're feeling sad.
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Let a hundred flowers bloom.
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I love to come in and play with a wig or glasses or clothes. I love using props. I'm from the Peter Sellers school of trying to prepare for the character.
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Verily He answereth him who prayeth unto Him, and is near unto him who calleth on Him.
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You have to make the mistakes and have those failures in order to learn from them and grow and improve... But for me, the best way to combat any of that beating yourself up or overanalysing, the most important part is always to be prepared to the best of your ability.
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You don't go into politics unless you want to win.
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So smoking is the perfect way to commit suicide without actually dying. I smoke because it's bad, it's really simple.
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In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.
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Whenever my body heals and the pain and all the swelling goes away is when I'll be ready.
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In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions – one, four and five. After that, I taught myself to play.
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The mind is exercised by the variety and multiplicity of the subject matter, while the character is moulded by the contemplation of virtue and vice.
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Around the world, climate change is an existential threat - but if we harness the opportunities inherent in addressing climate change, we can reap enormous economic benefits.
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Throughout the day, I'll make a lot of green smoothies or salads, and then when I travel, I try my hardest to just keep up the regime. It's not always easy, but I do my best.
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My mum's really short so she always wears really tall heels, and I used to steal them and now it's just a part of my everyday life.
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People say you should go out at the top but I was enjoying my football so much. Robbie Fowler's exactly the same: he's not playing for money any more, he's playing for enjoyment. Why go out at the top if it's going to make you miserable? I just wanted to play as long as I could.
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All Hollywood corrupts; and absolute Hollywood corrupts absolutely.
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I can't think of anything I hate more than a former punk - they are the most self-righteous people in the world.
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I am proud of where I came from, and I am proud of what I've been able to achieve through hard work and perseverance. And I guarantee you that anyone who tries to say otherwise hasn't walked a day in my shoes.
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You lose your immortality when you lose your memory.
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I've never been tempted to do these hideous furniture shoes.
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We speak of 'software eating the world,' 'the Internet of Things,' and we massify 'data' by declaring it 'Big.' But these concepts remain for the most part abstract. It's hard for many of us to grasp the impact of digital technology on the 'real world' of things like rocks, homes, cars, and trees. We lack a metaphor that hits home.
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I was a very sickly kid. While I was in the hospital at age seven, my Dad brought me a stack of comic books to keep me occupied. And I was hooked. When my eighth grade art teacher, Mr. Smedley, told me he thought I had actual art talent, I decided to devote all my efforts in that direction in the hope that I might someday get into the comics biz. I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.
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I had already done a lot of research for Rough Riders, keeping notebooks and old photographs. Some of the books were antiques for that time period, with the covers falling off.
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I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
