Jason Bateman Quotes
I look at whatever the finish line is for the character and then kind of act backwards from that and play him in such a way so that that finish line is more rewarding.
Quotes to Explore
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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I played a character in 'Ransom' who was as evil as they come.
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One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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To me the interesting main character is never the one without flaws.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.
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Great ambition is the passion of a great character. Those endowed with it may perform very good or very bad acts. All depends on the principles which direct them.
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Usually I'm pretty myopic. It's hard for me to multi-task, so to speak. If I'm in a show and I'm creating a character, I'm just completely into that. It's really hard for me to do anything else like write music. I have to sort of shut down different sides of my head and just focus.
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Clothes are part of the character. They can't but help inform who you are.
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I love people who are inches away from completely falling apart. I think that's a fun, electric character to take on.
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Any man who puts a pair of gloves on deserves respect because lots wouldn't dream of it. To get in there and go one-on-one, you need your hand shaking afterwards. Many men wouldn't get involved.
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You need cliches. Cliches are what people respond to.
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I look at whatever the finish line is for the character and then kind of act backwards from that and play him in such a way so that that finish line is more rewarding.
