Jason Isbell Quotes
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I have a lot of reactions to the outside world that I don't feel like would be appropriate for songs: things I'm not interested in writing about, things I don't want to think about any longer than 15 or 20 seconds.
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Most of the people that I spend my time around are people who listen to a whole lot of different kinds of music.
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I think I affiliate with somebody like Ben Howard. He's quite a bit younger than I am, but I think what he's doing is in a very similar tradition.
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Early on, I had to structure my ideas of success around things like, 'Can I go back and listen to the record months or years after I made it and still get some enjoyment out of it?' Or 'Have I said what I wanted to say on this album? Did it connect with people on a personal level, even if it's a small number of people?'
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I always think that's neat, when you can hear a story told from different points of view, different perspectives.
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My dad, he worries a bit, usually with good reason. There were quite a few years there where he was probably trying to resign himself to fact that I wouldn't live too much longer, just because of the way I was living.
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Sometimes I leave an encounter or a conversation hoping that I didn't come off as above my raisin' - hoping that I didn't make somebody feel bad for not having as much as we're fortunate to have.
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It's nice to feel like you have more in common with people rather than more differences.
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I didn't know what to expect when we first started touring behind 'Southeastern' because you don't want to lull anybody to sleep or lose their attention. But it's really been incredible how the crowds seem to be just as excited for the slow, sad songs as they are for the old rockers.
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I think great songs appeal to people at any age. Kids love the Beatles, too. Kids love Tom T. Hall. Of course, Tom T. wrote some things that were specifically for kids. But I think kids recognize quality more than they get credit for sometimes.
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As far as being satisfied, I just don't think you should work towards being satisfied. If everybody were satisfied, we'd never get anything done.
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For any writer, a red pen is such a trigger.
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My favorite thing about going to concerts has always been looking around and thinking that there's a lot of people in here that are very much like me, a lot of people in here I could have a full conversation with.
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People love to be listened to and represented, and they love it when they feel like you have some of the same problems that they do. Everybody deals with things like romantic difficulties in relationships and death and cancer and abuse.
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I don't think I'm a country artist, really. I'm a country person, but I don't think I'm necessarily a country singer or musician.
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I know it's financially lucrative to go out on my own, but I don't like it. It's really hard work, just the performance aspect. I like people who look like they've been together for too long and sound like they've been together too long. I like rock n' roll bands.
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What having a child - and especially a daughter - has done is lifted more of the veil for me: allowed me to see things on another level compared to how I used to see them.
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Rehab is like a divorce.
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As you get up in your thirties, the van touring is not a possibility anymore. We can't all be Mike Watt.
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Terrible things happen all of the time, and they can happen in a second. The best thing is to be prepared to react. If you try to control every little thing, you're going to end up miserable - and you're going to fail.
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Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
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I've always wanted to pull off 'No One is to Blame' by Howard Jones. I've done that a couple times in solo shows, but I can't figure out how to do that with a full band and make it work.
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I try to read a lot and listen to a lot of good songwriters, and I try to actually work on the craft of writing a song rather than just leaving it up to inspiration.
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The Police could get away with doing an entire record with really no audible reverb, which I have always admired and thought would be a lot of fun to try to re-create.