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The idea of growing up in the South and being a man is an interesting thing; there's a lot masculinity involved, with hunting, fishing, and playing sports that rural people take pride in, but at the same time, I grew up really not wanting to hate anybody.
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I've dealt with a lot of physical pain, with a lot of emotional pain; anybody's who's ever been an alcoholic has handled both of those in extreme.
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I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.
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As my life changes, it gives me new things to write about.
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I try to make statements that aren't broad because that doesn't make for good writing. I don't get commentary as my job, because I'm not very good at that. The way I do it is by writing songs, and I have to be small; I have to make the stories a bit personal.
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I think Spotify is honestly just another one of Sean Parker's ways of ripping musicians off.
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I don't care what 'Pitchfork' says. They write from a place that's a little too self-aware for me to really give a damn about what they're talking about.
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There are so few people that wake up every day and go do something that they don't dread... I'm very lucky.
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I'm not looking to be a superstar. I just want to be in a room with good people who are similar to me and are at least open to things that I have to say.
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A lot of people in Nashville think that the best song is the catchiest or the one that sells the most copies. They're editing songs in a way that make them seem more consumable, I guess. I'm trying to edit them in a way that makes them more honest.
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I've never been someone who's very prone to boredom. I don't know, boredom seems like something you should grow out of at about 15 or 16. There's so much that needs to be done.
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If I spent my time wondering about what genre I wanted to be in or where I was on the charts, I wouldn't be able to write these kinds of song. I'd be too busy doing other things.
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You can be very honest without telling the truth, at least in art.
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I don't have certain kinds of fatigue. My focus stays strong - I can work on a song for six or seven hours in one day and not get bored or tired of it.
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Every time I'd get a job, they'd say: 'You'll be good at loading trucks.' I couldn't explain that there was more to me than carrying things.
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Physical labor, manual labor - if you can stay close to those folks, there's always plenty to write about, 'cause their issues are real issues.
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I don't believe all music is good. I believe some music is bad for people to listen to. I think it makes their taste worse, I think it makes their lives worse, I think it makes them worse people.
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Good sounds, they just make you feel good.
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I think I'm writing for an intelligent stranger - you know, in my mind I can't remember who coined that phrase first. I don't want to write anything that makes me cringe, first of all. I cringe a lot - mostly when I hear popular music.
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My dad, as much as I love him, has one of those signs - 'The Isbell's' - on his front door, and he's got the damn apostrophe in there. I haven't strangled him yet.
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When I was still drinking, I thought I was kind of in control of everything in my life and other people's lives and realized at some point that that just wasn't the case at all.
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When I wrote those first songs for the Truckers, songs like 'Outfit' and 'Decoration Day,' those were strong songs, very strong songs. But had I been in the position of writing an entire album at that point in time, I don't think the whole album would have been of that kind of quality.
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The south is very focused on family... the musical heritage of Muscle Shoals especially and the bands from the region.
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I just try to keep making good records, try to write songs the best way I can and take my job seriously. Like most people take their jobs.