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Songs like 'Outfit' and 'Decoration Day' and 'Dress Blues,' those were good songs, but the output wasn't as consistent in those days.
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When I was still drinking, I thought I was kind of in control of everything in my life and other people's lives and realized at some point that that just wasn't the case at all.
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Man, that Jim Lauderdale always looks good - he's got more western suits than anybody.
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I didn't grow up with a lot of money, but I grew up with a lot of opportunities that many people don't have.
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As my life changes, it gives me new things to write about.
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There was a point when I told my daddy I didn't want to go hunting anymore.
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Sleeping on people's floors when you're 22 is fine. But when you get your life in order and have a family you want to keep and a certain level of health, touring bigger means you can keep going for longer.
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If I spent my time wondering about what genre I wanted to be in or where I was on the charts, I wouldn't be able to write these kinds of song. I'd be too busy doing other things.
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Good sounds, they just make you feel good.
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I like those kinds of songs that have details that you remember and that have stories that mean something and that open up into different levels philosophically. I like those kinds of movies, and I like those kinds of books.
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I try to make statements that aren't broad because that doesn't make for good writing. I don't get commentary as my job, because I'm not very good at that. The way I do it is by writing songs, and I have to be small; I have to make the stories a bit personal.
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The idea of growing up in the South and being a man is an interesting thing; there's a lot masculinity involved, with hunting, fishing, and playing sports that rural people take pride in, but at the same time, I grew up really not wanting to hate anybody.
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I don't have certain kinds of fatigue. My focus stays strong - I can work on a song for six or seven hours in one day and not get bored or tired of it.
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There are definitely some nights where the show is over, and you're on the bus or a hotel room, and it's sort of a shock to go from being in the atmosphere of a club or a theater and be at your own show to being by yourself in a hotel room.
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I've dealt with a lot of physical pain, with a lot of emotional pain; anybody's who's ever been an alcoholic has handled both of those in extreme.
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I write when the baby is asleep or when I'm on the road I write a lot... There's always time to do it. It's like getting exercise.
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I think Spotify is honestly just another one of Sean Parker's ways of ripping musicians off.
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At the end of the day, I'm just trying to write a song that I like, that I'm not afraid to turn loose on the world. I do read a lot. I know a lot of people who read more, but I do try to keep a book in my hand most of the time, and I think that informs any kind of output that I'm going to have.
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The south is very focused on family... the musical heritage of Muscle Shoals especially and the bands from the region.
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I'm not looking to be a superstar. I just want to be in a room with good people who are similar to me and are at least open to things that I have to say.
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Every time I'd get a job, they'd say: 'You'll be good at loading trucks.' I couldn't explain that there was more to me than carrying things.
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I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.
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I don't believe all music is good. I believe some music is bad for people to listen to. I think it makes their taste worse, I think it makes their lives worse, I think it makes them worse people.
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My dad, as much as I love him, has one of those signs - 'The Isbell's' - on his front door, and he's got the damn apostrophe in there. I haven't strangled him yet.