Jason Isbell Quotes
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I feel like people have a lot of the same good times and the same interests pretty much anywhere.
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I find the ones that have the most emotional weight, the heaviest songs. For some reason, for me, they're usually the ones I write the quickest. I put more work into uplifting material, I think, sometimes.
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I've never been someone who's very prone to boredom. I don't know, boredom seems like something you should grow out of at about 15 or 16. There's so much that needs to be done.
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As you get up in your thirties, the van touring is not a possibility anymore. We can't all be Mike Watt.
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Terrible things happen all of the time, and they can happen in a second. The best thing is to be prepared to react. If you try to control every little thing, you're going to end up miserable - and you're going to fail.
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I try to read a lot and listen to a lot of good songwriters, and I try to actually work on the craft of writing a song rather than just leaving it up to inspiration.
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When I was still drinking, I thought I was kind of in control of everything in my life and other people's lives and realized at some point that that just wasn't the case at all.
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I'm not trying to steer people in a direction. I'm just trying to move them. Wherever it takes them, it doesn't matter to me. I just want them to be moved in one way or another, and that's a hard thing to do, I think.
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A lot of the world turns into checklists for me when I'm on the road. Like, OK, this person's alive, this person's fed, this person's good. Soundcheck is done. Everything becomes a checklist except for the actual show.
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Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
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I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
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I don't write a whole lot about one person that exists in reality; it's usually characteristics of different people that I combine into a character. I tend to think through and try and make characters behave in a natural way. I follow the character and think about what they would do, what decisions they would make.
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The Police could get away with doing an entire record with really no audible reverb, which I have always admired and thought would be a lot of fun to try to re-create.
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There are so few people that wake up every day and go do something that they don't dread... I'm very lucky.
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When I joined the Truckers, I was 21 and riding in the van with guys who were a generation older than me.
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I don't think I'd be happy if I were satisfied. I enjoy challenge, and I wouldn't say that I'm an ambitious person career-wise or financially, really. I would like to travel more comfortably, but that's really about all I need.
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Sometimes a song becomes rhetoric, but you have to really empathise. You also have to leave room for both sides of the argument: even if you're not telling the other side, you have to put that part in parentheses and make sure it's understood.
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If I could write rock & roll songs on purpose, I'd do it all the time. But most of what I write comes out slow and sad because that's most of what I listen to.
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Songs like 'Outfit' and 'Decoration Day' and 'Dress Blues,' those were good songs, but the output wasn't as consistent in those days.
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A great story poorly told doesn't do anybody any good at all, and nobody wants to hear it, and nobody wants to read it. The craft of it is really more important than the subject matter.
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When I was playing with the Truckers, a lot of really good things happened. And we had a good trajectory for a long time. For that kind of a band, for the kind of music that I've always made, we had a lot of success, I think.
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Something that really helps when it comes to writing songs is you start to notice how children learn and how we all had to learn in the first place, starting from the ground up. It gives you a new perspective.
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At the end of the day, I'm just trying to write a song that I like, that I'm not afraid to turn loose on the world. I do read a lot. I know a lot of people who read more, but I do try to keep a book in my hand most of the time, and I think that informs any kind of output that I'm going to have.
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At some point, I'd like to make a record that's more of a self-serving guitar album, because I really love to play. It's not really something I'd expect a whole lot of people to buy, though.