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I don't care what 'Pitchfork' says. They write from a place that's a little too self-aware for me to really give a damn about what they're talking about.
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Physical labor, manual labor - if you can stay close to those folks, there's always plenty to write about, 'cause their issues are real issues.
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The south is very focused on family... the musical heritage of Muscle Shoals especially and the bands from the region.
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A lot of people in Nashville think that the best song is the catchiest or the one that sells the most copies. They're editing songs in a way that make them seem more consumable, I guess. I'm trying to edit them in a way that makes them more honest.
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I've spent a lot of time in a rock n' roll band trying to fight off the fact that I was old enough to rent a car. And it's all sort of rushed in at once now. And I like it.
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I think I'm writing for an intelligent stranger - you know, in my mind I can't remember who coined that phrase first. I don't want to write anything that makes me cringe, first of all. I cringe a lot - mostly when I hear popular music.
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I went to school for creative writing in college, and I wound up about six hours short of my degree.
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Sometimes a song becomes rhetoric, but you have to really empathise. You also have to leave room for both sides of the argument: even if you're not telling the other side, you have to put that part in parentheses and make sure it's understood.
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When I wrote those first songs for the Truckers, songs like 'Outfit' and 'Decoration Day,' those were strong songs, very strong songs. But had I been in the position of writing an entire album at that point in time, I don't think the whole album would have been of that kind of quality.
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If you're somebody who writes songs or writes fiction, a writer that people pay for your opinion in any way, you shouldn't be the least bit uncomfortable giving it to them. People want songwriters to tell them how they think and how they feel. That's what a song is. That's what I want to hear in a song.
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I write pretty much year-round, but I definitely do more when a deadline is looming.
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My wife may be the role model for our daughter in some ways, but I think I represent what she'll put up with. You know, I think one day she'll say, 'OK my dad behaved this way, so if whoever I happen to fall in love with behaves this way it's got to be OK because I love my dad.'
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I just try to keep making good records, try to write songs the best way I can and take my job seriously. Like most people take their jobs.
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If you're the person whose problems were solved when you were born, your job is to try and help the people who aren't in that situation. It's very easy to say you're tired of political discussion when all of your problems are solved. I keep trying to think of it that way.
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No matter what you thought your plans were, that's not how things are going to work out, and that's the only way you can really, I think, live successfully.
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For me, the things like the Confederate flag - I just don't think that it does anybody much good, and it certainly causes a lot of people a lot of pain.
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I don't start a song with an idea of what ingredients are going to go into a song. It's not like a recipe. I will normally either talk from personal experience or I'll make a character and then try to allow that character to behave the way he or she naturally would.
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You don't have any kind of control ultimately. Things are just going to happen as they will. And I think your best option sometimes is just to react rather than try to plan everything out in advance.
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Democracy can tie your hands in a rock 'n' roll band, you know? It can be a great thing, but if you've got a certain amount of vision and you write a lot of songs, it's sometimes better to have your own band and make your own decisions.
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I think for anything to be successful, your problems have to become different problems over time.
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I'll take a certain concern of my own or a situation and try to frame it around a fictional story, but sometimes just straight-up autobiographical songs work well, and sometimes a story is better. I like stories. I like to hear them. I don't think there are enough of them in songs anymore.
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A lot of people make records where there are a couple songs worth listening to and you skip through the rest, and I don't want to do that because those records bore me pretty bad.
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The fact that I have a Southern accent and write about a lot of rural things leads people to put me in the country category.
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I think a lot of people are scared, and I know I was scared to get sober, at least using this as an excuse; 'I don't want to be one of those sober people.' And I don't think you have to be. I think you can be one of those people who happens to be sober.