Jason Mewes Quotes
Quotes to Explore
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It is time for Hillary Clinton to permanently retire.
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Greetings and death to our enemies.
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I love surprises - champagne and strawberries, all that pampering, romantic stuff. Guys ought to know how to pamper their women properly.
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I want to make music that I like; not something that I have to make because I think it's going to sell.
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Between Prince and my dad's fusion-jazz records, I didn't have a choice in being funky.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
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The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.
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Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.
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It was a woman who drove me to drink, and I never had the courtesy to thank her for it.
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I try to keep performing as much as possible - I just like to. I used to take huge gaps off between gigs, now I just like to do stand-up gigs as much as I can.
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You're going to change as you grow older, and that messes up a lot of relationships.
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Once imbued with the idea of a mission, a great nation easily assumes that it has the means as well as the duty to do God's work.
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I clean my face twice a day with cold water and don't go to sleep with make-up on.
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If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
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I was a horrible student.
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I studied at a grammar school and later at the University of Vienna in the Faculty of Medicine.
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It's the thing I struggle with every day: the mental diligence and stamina needed to sit in front of the computer, open the file, start writing and to keep doing so, word after word, until I've created the next story. A combination of learning disability and chronic health issues make that the hardest thing for me.
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I had to push exposition through dialogue, which is really, really hard for an actor do.
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A rap dude has his rap persona, his hyper version of himself. Do you know Method Man's real name? Or Elton John, Marylin Monroe? You make up this character. That's kind of what we have done with Die Antwoord, playing with characters.
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Suckas on my jock when I walk down the block, I really don't care if you're jealous or not.
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When you look at a guy like a Jay-Z or look at a guy like a Nas, you don't necessarily qualify them as conscious rap purely, although they are extremely conscious of the social inequities that prevail.
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I was a metalhead and then I was into the rap and then I was a metalhead again.
